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HomeMy WebLinkAboutThe Citizen, 1997-07-16, Page 22ntertainment Theatre review ‘Camelot’ shines Friends and lovers Though King Arthur, centre, portrayed by Tom McCamus is becoming suspicious about his good friend Lancelot (Dan R. Chameroy) and the queen, Guenevere (Cynthia Dale) he trusts in their loyalty. Lerner and Loewe's Camelot is now appearing at Stratford Festival. By Bonnie Gropp Citizen staff Don't let it be forgot That once there was a spot For one brief shining moment that was known as Camelot For more than one brief moment the Stratford Festival's production of Alan Jay Lemer and Frederick Loewe's Camelot shines. With a magnificent cast, stunning cos­ tumes, choreography and sets this musical is an absolute delight. One hates to gush, but superla­ tives seemed to be the only thing that came to mind as this medieval tale of love and woe played out. Camelot is a story of dreams and their demise. It tells of one man's vision, his unfailing love even in the face of betrayal. Camelot with its idealistic King Arthur has been likened to the Kennedy years in the White House. An era ends sadly, the promise of a better tomorrow with it. At its beginning, a somewhat insecure King Arthur meets his Guenevere, whom he not only loves deeply, but who inspires him. Buck Doe for DONNA GORDON RICHARD &PEACHEY July 19/97 Monkton Arena Age of Majority Bus leaves Brussels 8:45, Blyth 9:00 & Walton 9:15 Call 887-9567 - Maddy or 523-9294 - Andrea Together they rule the magical Camelot. Arthur befriends Lancelot, a knight, who comes to join the king's new order of chivalry. While Lancelot's friendship and devotion to Arthur deepens so does his love for Guenevere. Theatre Artistic Director Richard Monette skillfully directs highlight­ ing every comic possibility while deftly underlining the drama and tragedy. Tom McCamus demonstrates his considerable talent bringing to life an Arthur who is, naive, but no fool. From the young man who bemusedly ponders marriage, to the groom who accepts his wife as partner and confidante, McCamus's Arthur matures subtley, but surely. In the final scene where he recog­ nizes his dream has ended, but enlists a young man's promise to keep it alive, McCamus gives Arthur a dignity that is far removed from that hopeful leader, but recog­ nizable as him. Love the family When asked to audition for the role, McCamus said he was not a singer. However, not only does he do the job admirably, but the sim­ plicity of his voice, complements the ingenuous sincerity of Arthur. Conversely, the skilled resonating timbre of Dan R. Chameroy is per­ fect as the confident Lancelot. Chameroy is a dashing blond who also shows versatility, being first the bold, impulsive warrior, then the humbled, restrained lover. While the two men are too com­ manding to ever be upstaged, it is likely that it is the presence of Cyn­ thia Dale that has garnered the most attention. Most recently a regular on the now defunct CBC series Street Legal, Dale has had exten­ sive background in musical theatre. It was a shame that fans of the show were not treated to a weekly offering of her lovely voice. The remaining cast members hold their own against these mega­ talents, particularly Richard Cumock as the befuddled Pellinore and Michael Therriault, whose Mordred is nasty in the extreme. It was difficult at curtain call to forget those past sins were an act and not withhold acknowledgment for the ability it takes to bring such a despicable chap to life. The lovely Lerner and Loewe score, though not as familiar as some of their others, is enhanced by colourful costume and impres­ sive set designs, created by Andrea Grainger and Douglas Paraschuk respectively. Michael Lichtefeld's choreogra­ phy adds much to the production. A particular highlight was the knights' rousing Fie on Goodness, a testos­ terone inspired show of agility and boisterousness. Stratford gained reknown as a Shakespearean festival. But with the strength of its musicals in recent years its reputation may be changing. Either way this Camelot is unlikely to be forgot. Find the typos The Blyth Festival is looking for the silliest, funniest, most outrageous newspaper mistakes, typos, or spelling errors you have ever read. Send 'em in and win a prize! The idea for this contest comes Continued on page 24 ■ | SURROUND SOUND STEREO 11 CAPITOZ, KEBn\'IN CINEN 1A " LISTOWEL 291-3070 STARTS FRIDAY CINEMA 1 (PG Frightening 7 & 9 pm Scene,) Will Smith & Tommy Lee Jones MEN IN BLACK SUNDAY MATINEE 2 PM CINEMA 2 (Fimily) 7 & 9pm Held over 4th Big Week WALT DISNEY’S HERCULES SUNDAY MATINEE 2 PM THE CITIZEN, WEDNESDAY, JULY 16,1997 PAGE 23. Comedy premiers in Blyth There's Nothing in the Paper, a comedy premiering at the Blyth Festival July 23 is the first play ever written by David Scott. Scott, editor of the weekly Huron Expositor in nearby Seaforth, says with the big fish of the newspaper industry swallowing up the little papers, it is important for small communities to have an avenue to express and maintain their identities. His play explores this theme through George Slew art, the disillusioned editor of the struggling Shadowville Examiner, as he comes up against a brash new scandal sheet in his town that threatens to destroy reputations and divide the community. Blyth Festival veteran Jerry Franken takes on the role of George Stewart. This is Jerry's 10th season at the Festival. Audiences will remember him most recently from STAG DOE Sean Fellow & Sara Lyons FRIDAY, JULY 10/97 3 PM - 1 AM Goderich Arena Music by Goodfellas Lunch Provided Age of Majority FOR TICKETS CALL 524-2406 OR 523-9533 Come Celebrate JULY19TH Ella Graber’s family Invites you to 800 Turnberry St., Brussels for afternoon refreshments. Join us In celebrating her birthday. Jake's Place, Ballad for a Rum Runner's Daughter and He Won't Come in from the Barn in 1995. He is also appearing as Zepp Brubacher in this year's Festival production of Quiet in the Land. The cast also includes Sharon Bakker as newspaper office manager Nellie, Beverley Elliott as waitress Brenda, Brian Pauli as bold newcomer Bdb, Kirsten Van Ritzen as ad salesperson Joan, and Dick Murphy and Vernon Chapman as Sam and Hank, two hilarious old cronies who count mistakes in the paper, complain about its decline and recommend exciting news items - like the peaceful death of an old dog. Directing There's Nothing in the Paper is Terry Tweed, who directed This Year, Next Year for Continued on page 24 WILLI AMS-WIENS David and Lynda Williams are pleased to announce the engagement of their daughter, Angie Lee to John Ray Wiens, son of John and Peggy Wiens. The wedding will take place on July 26, 1997 at 2:00 p.m at Knox Presbyerian Church. Cranbrook, Ontario Happy 25th Wedding Anniversary Fred & Karen on July 22 Ann - Darrell Dad - Mother