Loading...
HomeMy WebLinkAboutThe Citizen, 1992-11-04, Page 23THE CITIZEN, WEDNESDAY, NOVEMBER 4,1992. PAGE 23. Theatre review ‘Dining Room’ guests people worth knowing By Keith Roulston Since A. R. Gurney's The Dining Room premiered in New York in 1982, it has become a favourite of actors and it's little wonder, as evi­ denced by the current production at London's Grand Theatre. Where else could William Hutt, the sophisticated elder statesman of Canadian theatre get to play a naughty child again. Where else can an actress be a forgetful grand­ mother and a child at a birthday party in the same play. - In The Dining Room, a cast of six gets to play hundreds of characters of all ages and descriptions as gen­ erations pass through a stately din­ ing room, the kind only found in upper middle class, tum-of-the-cen- tury homes. Actually, it's not one dining room but several, and Gur­ ney uses the setting to tell the pass­ ing history of the people who lived that solid, WASPish way of life. We get to see the passing of an era through the use, and disuse, of the formal dining room. To pull from such a wide spec­ trum of history takes a lot of versa­ tility, both in the actors and in the setting itself. Set designer Astrid Janson has given the cast a breath- takingly elegant set, yet one of sim­ plicity. The dining room is made up of a parquet floor on which sit a dining room table and side board. Forming ephemeral walls around the dining room, however, are sheer curtains that soar to the top of the stage, enclosing it, yet leaving the impression of make-believe that is necessary for this series of stories to be told. Onto the curtains are projected light patterns that suggest tall, leaded windows. The cast portrays all the charac­ ters with very little change of cos­ tume, just a sweater here or a party hat there. The scenes overlap, a scene from one era of the dining room overlapping with that of another, sometimes with telling results. In one scene, for instance, a maid from a scene early in the cen­ tury, is left on stage cleaning up the dining room while a psychiatrist from a 1980's scene discusses reno­ vations with his architect. The architect tries to convince him that dining rooms are a thing of the past, that the psychiatrist and his wife will be eating in the kitchen and the dining room can be cut up to provide offices. In a few seconds the changing patterns of life of the professional class is summed up. In another scene, William Hutt plays an old grandparent whose grandson comes to get money so he can go to private school. The grandfather is used to such requests. Each grandchild has come with requests before but he worries that if the grandchildren are indulging themselves, the kind of entrepreneurial vigour he used to pile up the family fortune will be frittered away and the house will end up being owned by some other, younger go-getter with no family connection. The play is a series of such vignettes showing snipits from the lives of the people who lived the Party time It's party time in The Dining Room now playing at The Grand Theatre in London with a group of unlikely children at the birthday party. Members of the cast include (left to right) Peter Hutt, Jan Alexandra Smith, Brigitte Robinson, Jonathan Whittaker, William Hutt and Patricia Collins.- photo by Robert C. Ragsdale kind of lifestyle of formal dining rooms There's the birthday party scene in which William Hutt and the other older members of the cast get to revert to their childhood while Peter Hutt and Brigitte Robinson, as parents of two of the neighbour­ ing "children", play out a yearning for each other, knowing the barriers to their being together are great. Many of the scenes are funny and sad at the same time. In one scene a family tries to have a normal Thanksgiving dinner, but the matri­ arch of the family, suffering from alzheimer's, refuses to believe she lives here and insists on being taken "home" to her childhood home. In an effort to connect with her the three male members of the family sing her one of her favourite songs (getting carried away in the process) and for a moment she seems to connect, then slips back into her imagination. There's another scene that cap­ tures the change of modem cus­ toms as a bewildered father, whose married daughter wants to bring the kids and move back in, gets thor­ oughly confused as she explains the complicated conditions of her love life. The cast of the two Hutts, Ms Robinson, Patricia Collins, Jan Alexandra Smith and Jonathan Whittaker is uniformly strong, giv­ ing many memorable moments. Ms WANTADS All THE TIME! Collins, for instance, has the audi­ ence in stitches as an ancient ser­ vant who continues to serve an old master when someone obviously should be serving her. Grand Artistic Director Martha Henry makes the action flow smoothly and eliminates much of the confusion that could have resulted in the overlapping scenes. Lighting designer John Munro turns those sheer-curtained walls into a series of light shows to change the mood. Despite the strong production, there is still something unsatisfying in The Dining Room. With no con­ tinuing characters (except the room itself), there's a frustration of never getting to really know anybody. It's like being at a very large dinner party with interesting people you've never met before and will never meet again: it's a delightful experi­ ence while it lasts but you wish you knew these people better. Still, it's better to know these people a short while than never to have met them at all. Happy Sweet 16 Chuckie Happy Birthday Phyllis Enjoy a hearty ^4 breakfast of eggs, bacon, ham or sausage, with homefries & toast for only $1.99 Open 6 a.m. - 8 p.m. dally Tim’s Family Restaurant Blyth 523-9623 Enjoy a delicious ALL-YOU-CAN-EAT HOT BUFFET Every Sunday includes salad bar, a variety of meats, vegetables, potatoes, rolls, rice pudding, tea or cojfee for only $9.95 Book your Christmas Party, meeting, family party, anniversary party, or small wedding reception today. A Menu that's sure to please every guest No charge for banquet room ‘Bfytft TLC-Tlt invites you to join us in our Love Mom Monday, Tuesday, Wednesday seniors will receive a 10% discount on all menu orders * Alcoholic beverages excluded Tim's Family Restaurant and Banquet Facilities Blyth 523-9623 (formerly Grand View Too) bet i.6. I* SILENT AUCTION November 5th 9 - 8 p.m. USED CLOTHING November 6th 12 - 5 p.m. BAZAAR Saturday November 7th 2 p.m. CRAFTS • BAKING • CHRISTMAS ITEMS BOOTH