HomeMy WebLinkAboutThe Citizen, 1992-05-13, Page 28PAGE 28. THE CITIZEN, WEDNESDAY, MAY 13, 1992.
9-Come & (garden 1992
Originals not always useable
continued from page 26
the case of furniture, feel surfaces,
turn things upside-down and exam
ine the underside.
Of course, only an expert can tell
for sure, but if you turn a piece
over, and the workmanship is too
pristine, you know that it may not
be very old. Likewise, if you're told
that a piece is in original condition,
and you see replacements, you
know the piece has had work done
to it.
3. Look for wear. A hundred year
old chest of drawers, for example,
will show signs of wear both on the
sides and underside of the drawers
themselves, as well as the runners
in the chest that the drawers slide
into.
4. Examine the hardware and the
locks of pieces. If there's a lock on
a drop-top desk, then there’s got to
be a key hole. Sometimes these are
covered up with new hardware.
New hardware is acceptable, but
only if you’re made aware of it.
5. Ask about restoration.
Remember when you begin to look
for antiques that most pieces cur
rently available have had some
form of restoration done for them.
The phrase ‘original condition’,
should thus be taken with a grain of
salt.
What most people simply don't
realize is that pieces in their origi
nal condition are often not suitable
for use. The mercury on the backs
of old mirrors, for example, chips
off, and few mirrors in ‘original
condition’ can serve their original
function. If you want to hang such
a piece as a work of art, that's fine,
but if you want a looking glass,
you'll have to find a restored piece.
Likewise, as most homes were
heated with wood or coal-buming
stoves which generated a lot of
soot, the gilding on the frames of
an ‘original’ mirror will doubtless
be black. Therefore almost all
antique gilt mirrors have been re
gilded.
Another example of the irony of
‘original condition’ is painted fur
niture. Wood naturally expands and
contracts, and responds to changes
in humidity; the paint on old furni
ture flakes after a certain amount of
time. If you see a two hundred
year-old piece of painted furniture
that isn't almost completely devoid
of paint, it has been restored.
Antiques are old - that's what
gives them their charm and charac-
ter. They are supposed to look old.
To expect that an antique chair will
look pristine simply doesn't make
any sense. You want things to look
as though they have been used and
carefully cared for by generations
of people. If they are worn or
cracked, no matter, as long as they
can still be used.
6. Find out where the piece was
made and who owned it. Owning
an antique is like bringing a piece
of history into your home.
If the dealer is knowledgeable, he
should at least be able to tell you
approximately when and where a
piece was made. Most important
furniture and objects will have
what is known as ‘provenance,’ a
kind of pedigree that tells who orig
inally commissioned or bought a
piece, who made it, where it was
made and when plus an indication
of who the successive owners were.
7. Leam to identify secondary
woods. As you become more adept
at identifying periods in furniture
and the materials typically used
during those periods, you'll be able
to use secondary woods as another
guide to authenticity.
Secondary woods are those mate
rials used to make the backs, under
sides, and drawer linings - any
hidden part of a piece. For exam
ple, extraordinary English
mahogany furniture may have
mahogany or cedar as a secondary
wood, but oak is more common.
American furniture typically has
poplar or pine as a secondary
wood.
A knowledge of secondary
woods also helps to determine how
much restoration has been done to a
piece. Wood contracts and expands
according to the humidity in the air.
Sometimes the bottoms of drawers
in old pieces shrink to the point that
there are significant gaps.
These often are remedied by fill
ing the gap with a strip of wood. If
it's a different kind of wood, or one
that's a noticeably different color,
then you know that repairs have
honestly been made.
8. Be careful from whom you
buy. Unless you're a professional,
buying at flea markets and the like
is strictly at your own risk. If you're
looking for things for purely deco
rative purposes, that's fine, but if
you're serious about establishing a
meaningful (and potentially valu
able) collection, buy from someone
who can date and guarantee a
piece. Dealers also should reveal
how much restoration was done.
9. Find a dealer who is willing to
buy back or trade back at a later
date anything he sells. Many peo
ple's tastes change as they grow
more knowledgeable. Reputable
dealers should be willing to estab
lish such a relationship.
After all, there is a finite number
of worthy pieces available, and if a
dealer wants to be able to supply
his clients with good pieces at all
price levels, it is worth his while to
maintain contact with his clients as
their collections develop. For the
same reasons, it is wise for the
client to seek out a dealer whose
taste and expertise he trusts, and to
develop a longstanding relationship
with that dealer.
10. And finally, don't be afraid to
make mistakes. Even the most
expert dealers get fooled, and it's
usually when decisions are made
too hastily. But even a goof can be
all right, if the piece pleases you;
it's just the price that stings.”
Don't be shy
about your
garden
continued from page 27
day in really hot weather), so watch
for signs of wilting.
Don't by shy about your garden -
it's one of those things that every
one enjoys - so invite your neigh
bours over to see how well it's
doing. And, if you are like many
gardeners, you'll probably have
extra vegetables you can share
when things really get going, so
share the abundance.
Take notes or paragraphs of your
garden to plan for next year. If you
really liked a certain variety, write
it down so you won't forget it next
year when you go shopping (saving
plant labels is one easy way of
doing this). If you think you could
use more of something next time,
make a note of that, too. And if you
think j^ou could use a bigger gar
den, start planning early so you will
be ready when bedding plants are
again available at your garden out
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