HomeMy WebLinkAboutThe Citizen, 1991-12-04, Page 27Theatre review
Males may not find play quite so funny
I give up
Actress, Susan Wright tries to figure out what went wrong
with her life, in this production of Willy Russell's Shirley
Valentine, which opened at London's Grand Theatre on
Friday, November 29.
by Bonnie Gropp
While the women laughed and
nodded during The Grand Theatre's
production of Willy Russell's one -
person play Shirley Valentine, there
were at least a few men present, at
Friday night's opening, who didn't
quite get the joke. Mr. Russell's
story of a middle-aged Liver
pudlian housewife, who is frustrat
ed in her marriage, and tired of
being taken for granted by her hus
band and children, is not a play that
every man will enjoy. Several
times, I noted around me chuckling
women, whose escorts sat looking
not a little confounded.
For the playwright to have been
able to offer such an accurate per
spective oi womanhood is surpris
ing, that is until you read in his bio
that he was once a hairdresser, a
profession notorious for becoming
a confident to its clients.
Shirley Valentine, played by
accomplished actress Susan
Wright, is a funny, gutsy lady, who
tries to understand when life went
awry. She notes that she once
heard that after 40, things begin to
look jaded and the past is remem
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bered as being better. "I must have
been an early developer," she says.
"Things started looking like that in
my 20's." What happened to the
romance and when did her children
start taking her for granted? When
did life stop being fun? "When did
the boy called Joe turn into Him
and when did Shirley Valentine
turn into this?" she asks.
Given a chance to visit Greece
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with her feminist friend, Shirley is
tom between a desire to break away
and a fear of what's out there. After
years of spending her time talking
to the wall, she is afraid of life
beyond it. "I'm terrified there'd be
no place for me to go," she said
echoing the fears of those who have
found neither fulfillment, nor con
tentment in their lives and relation
ships.
Her disillusionment in the first
half of the play may be a little
uncomfortable for some men, but
by the end you understand the story
is less about a woman being
trapped in marriage and unhappy
with men, than it is more about los
ing sight of what's important in life,
regardless of gender.
Ms Wright is a warm, vivacious
actress, who makes it easy to like
the heroine, even when she's not at
her best. Having seen her in many
productions at Stratford over the
years, I found her performance
lacked her typical confidence. As
Ms Wright had in a press release,
admitted to being nervous about
doing a one-person show, we can
probably put this down to opening
night jitters.
The set and costume design by
Debra Hanson is simple, yet effec
tive. Nightime in Greece was real
istically simulated by lighting
designer Louise Guinand.
There were some parts of the
play I felt director Richard Monette
could have moved more quickly
through as they became a little
wearing, particularly, a conversa
tion Shirley has with her Greek
lover and a monologue regarding a
specific area of female anatomy.
The Grand's production of
Shirley Valentine is being presented
in association with Stratford Festi
val where he will run during the 92
season.
THE CITIZEN, WEDNESDAY, DECEMBER 4, 1991. PAGE 27.
is coming to town
BLYTH MEMORIAL
HALL (upstairs)
films and treats for the kids
SANTA CLAUS
Saturday, December 7,1991
at 2:00 p.m.
sponsored by
Blyth Lions Club
Mo
t
e
yo
u
r
mo
v
e
.
The family of
Gordon and Isobel Workman
invite relatives, friends and
neighbours to a "come and
go tea" in honour of their
50th Wedding Anniversary
upstairs at Brussels Morris &
Grey Community Centre on
Saturday December 14th ,
1991 from 1:00 p.m.-4:30 p.m.
Best Wishes Only Please