HomeMy WebLinkAboutThe Citizen, 1991-07-24, Page 23Theatre review
THE CITIZEN, WEDNESDAY, JULY 24,1991. PAGE 23.
‘Stone Angel ’ very long, but very good
Antagonists turn conspirators
Lottie (Jacqueline Blais), left, and Hagar (Barb Chilcott) conspire to separate their children in
this scene from James Nichol's dramatization of Margaret Laurence's The Stone Angel,
which opened at Blyth Festival Thursday, July 18.
BY BONNIE GROPP
Fine acting, excellent production
and a solid story line earned Mar
garet Laurence's The Slone Angel a
standing ovation at its Blyth Festi
val opening, Thursday.
I couldn't help wondering,
though, if perhaps some of those
standing were just simply glad of
the opportunity to be on their feet.
James Nichol's dramatization of
this novel, is lengthy, a good three
hours, and despite its many merits,
towards the end, restlessness is
increasing while interest is dwin
dling.
The Slone Angel is the story of
Hagar Currie Shipley, once "Jason
Currie's raven haired, dark eyed
daughter", now an ailing, elderly
woman, as told through her eyes.
The stone angel, she explains
early in the play, was the tomb
stone, placed by her father on her
mother's grave. It also, perhaps,
best illustrates the complex Hagar.
A not altogether likable character,
there where times when she
appears to have a heart of stone and
others when she has the heart of an
angel.
We see her as the adored daugh
ter of the loving, but harsh Jason,
who spoils her when she's good,
but shows no mercy when she
defies him. He raises her to believe
she is belter than most and the
equal of all the rest. She is a female
with backbone, pride and stubborn
will.
We see her as the wife of Bram
Shipley, a man her father describes
as "lazy as a pet pig", a man 15
years older than her, with two chil
dren from a previous marriage.
Defying her father, who disowns
her, her infatuation leads her to
marriage. "Never a bell rang out
when I was wed," she says, voicing
a beginning disillusionment.
When she discovers what is
expected of her as a wife and finds,
over lime, that she can not mold
Bram into the husband she wants,
further disenchantment weighs on
the fragile marriage. Bram, faced
with the knowledge that he will
never meet Hagar's expectations
and that he shames her, makes his
life's work drinking. Hagar, after
years of trying to make it work
takes their son John and leaves.
John is Hagar's baby and she suf
focates him with her protection and
devotion. As a young man he
returns to live with his father,
where after drought and bad luck,
he follows his father further along
the road to ruin.
When Bram dies, Arlene, the
daughter of Hagar's childhood
adversary, Lottie "no name"
Dreisler, helps John pick up the
pieces. He stops drinking and plans
for the future. Hagar however, does
not want them to make the same
mistake she and Bram made. When
she discovers how serious the
young lovers are, she and Lottie
conspire to separate them. Desper
ate, John begins drinking again and
he recklessly gets behind the wheel
of a car. Arlene goes with him and
they are killed.
Marvin, Hagar's oldest son, has
spent his entire life trying to please
his mother and never quite accom
plishes it. Now, in her later years
he and his wife Doris have moved
in to take care of Hagar. Unfortu
nately he finds himself caught
between them as Doris fights to
have Hagar placed in a rest home
and Hagar fights to stay home.
When she becomes ill, she is
taken to the hospital and it is there
that she takes us wandering back
through time.
The Stone Angel can be a little
bewildering at times, as the story
line hops back and forth, from past
to present. As well, as is the case
when producing large productions
at a small theatre, actors have to
play several parts. In this particular
one there are 27 characters por
trayed by nine actors. This is not a
fault, this is a necessity, but one
that, should someone not be paying
careful attention, will leave them
lost for a lime. Several people
arrived fairly late into the first act
and I can't imagine they ever
caught up.
The cast is wonderful, never
missing a beat between personas.
Allan Williams plays the proud
Scottish patriarch with flair. Jerry
Franken as Marvin, Elliott Smith,
as John and Thomas Hauff as
Bram, down-play their portrayals
of these complex, interesting char
acters to an impressive result.
Franken and Smith also play
Hagar's brothers Matt and Dan.
Jacqueline Blais as Doris, Lottie,
Mrs. McVittie and Mrs. Reilly puts
in notable performances as does
Bruce McFee, who plays Telford
Simmons, Mr. Troy, Nursing Home
Director, Doctor, Murray F.Lees,
Tom Jardine, Henry Pearl, Charlie
Bean and the New Store Owner.
Quyen Hua as Sandra Wong,
Hagar's hospital roommate is a
charming delight, though her part
does seem incongruous with the
rest of the play.
Allegra Fulton is chamelion-like
transforming from the young, open-
hearted, free-spirited Arlene, to the
conscientious nurse, to staid Char
lotte Tappen, to amorous Lottie's
mother, and finally, to chatty old
Elva Jardine.
However, without question the
star of the show is Barbara Chilcott
as Hagar. This is the type of role
that theatre actresses long for.
Hagar is a strong woman with an
intricate personality and Ms
Chilcott handles the diversity of the
character with ease. It is a demand
ing role that requires her to make
i
Z3////? TJillag e
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the transition from young child, to
blushing bride, then finally to a
proud woman facing the degrada
tion of old age, all without benefit
of makeup or costume change, rely
ing solely on the stength of the
actress's talent to make each por
trayal real.
For some The Stone Angel may
be far too long to endure, detracting
from what is otherwise an excellent
piece of theatrical work. Others
may be offended by the sexual ref
erences and explicit, though very
Congratulations
on your
25th Anniversary
Dave and Alice Marks
Love from family
and friends
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tastefully done, depiction. (I over
heard one woman saying to her
companion, "This can't be Blyth!")
A few may even find it a little too
artsy for their particular tastes. But
like it or not there is no denying its
attributes. There is no denying the
quality of the production, the writ
ing and the performances. It is an
impressive piece of theatre, like it
or not. Therefore, while the stand
ing ovation at the end may be a
welcome relief, it also just so hap
pens to be well-deserved.
Happy 19th
Charles
(Chuck)
Love Mom, Dad, Darlene
& Bill & friends
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