HomeMy WebLinkAboutThe Citizen, 1989-09-13, Page 22Lovely ladies
Angela Nethery, the 1988 Brussels Fair Queen says her farewell speech as the seven contestants
for thisyear anxiously await the selection of the 1989 Queen. Thecrowning of the new queen was
Saturday evening. From left: Heather McGavin, Patricia Albers, Lori Willie, first runner-up
Tracey Fischer, 1989 Queen, Margaret Cronyn, Pat Cowman and Miss Congeniality Sandra
Marks.
Summer school growing
Theatre review
‘Cat’ hot despite weaknesses
BY KEITH ROULSTON
The Stratford Festival’s produc
tion of “Cat on a Hot Tin Roof’
which opened recently, is an even
ing of entertainment that is much
greater than the sum of its parts.
The strong work of Goldie Sem
ple as “Maggie’’, the “cat’’ on the
hot tin roof of the title, and James
Blendick as “Big Daddy” makes
the Tennessee Williams drama
both moving and funny and more
than makes up for some weakness
es in both the script and the
production.
Mr. Williams created a strange
construction for the play that first
opened in New York in 1955 and
was rewritten for a revival in 1974.
If he were alive today the play
might benefit from a few more
changes. “Cat on a Hot Tin Roof’
is a play full of powerful and often
funny scenes that sometimes seem
to clunk when they come together.
In an interview before the show
opened Miss Semple said the first
act for “Maggie” is a frightening
part to pull off and the truth of her
statement quickly becomes evident
when you see the play. The first act
is almost a one-character play with
Maggie taking about 90 per cent of
the dialogue, desperately trying to
carry on a conversation in their
bedroom with her husband
“Brick”, who tries to ignore her
while he drinks until he hears the
“click” in his head that says he has
become so drunk he can’t think
anymore. Here Maggie struts
around the stage like a queen one
moment, is as shattered as a little
girl scolded by her father the next;
hard and grasping one minute,
pleading for love and forgiveness
the next, and all the time so
stunningly beautiful, so sexy that
you’d think Brick must not only be
drunk, but half dead not to make
love to her as she wants.
The second act completely
changes gears and Maggie is
hardly on stage at all. Now the
focus goes to “Big Daddy” who
again shares the stage with Brick
but dominates it, just as Maggie
dominates in the first act. One
minute he is cruelly funny, the next
harsh and the next bewildered as
he tries to discover what has turned
his favourite son from a swagger
ing football start to a shell of a man
bent on drinking to forget.
Blendick turns in another splen
did performance as the 65-year-old
planter who is filled with euphoria
when he thinks he has beaten the
cancer, the one thing in his long life
that seemed he couldn’t buy. His
sense of joy, of renewed power is
real as he bullies his wife and tries
to bully his son, as he convinces
himself that now he has a new lease
on life and he’s going to make the
most of it. When Brick, in retalia
tion for the confessions about his
own weakness that his father has
bullied out of him, tells his father
that he isn’t getting better, that it’s
all just a plot of doctors and family
to make him feel good about his
last days, Blendick seems to sag
and shrink, slinking off in sadness
and anger at the end of the act,
never to be seen on stage again.
The third act changes pace
again. Big Daddy is gone. Brick
who has come out of his shell a bit
under his father’s taunts, now goes
back into it. Maggie becomes
almost a secondary character as
Brick’s brother Gooper and his wife
Mae break the news to Big Mama
that Big Daddy is indeed dying,
then try to seize control of the huge
plantation and the millions of
assets Big Daddy will leave when
he dies. They become almost
cartoonish in their determined,
grasping manoeuvres.
But Ms. Semple and Mr. Blen
dick are so powerful in their
performances, and Mr. Williams
emotional scenes are so rivetting
that the audience is held spell-
a a a a a a a a a a a a a a
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j a
bound with hardly a shuffle, hardly
a cough for nearly three hours. The
weaknesses seem to disappear
when they command the stage.
The two overshadow the others
in the cast. Geordie Johnston as
Brick has a difficult part and is not
helped by the fact he appears just
too young for the part of the faded
football star. When he says at one
point, “Not when I was too young
and believing” you wonder when
this guy, who looks like he could be
in his teens, got old?
Shirley Douglas as Big Mama is
a sad creature as the unloved Big
Mama, flitting and flustered as if in
keeping active she won’t realize
that her husband is bored by her
and her sons don’t care if she
exists.
Anne Wright and veteran Blyth
Festival actor William Dunlop as
Mae and Gooper are cartoon char
acters but Mr. Dunlop does man
age to bring out the hurt of the
older brother who seems almost
ignored as a member of the family
that dotes on the wayward Brick
instead.
Another Blyth veteran, designer
John Ferguson has designed an
elegant set, bringing the outdoors
into the bedroom set through large
screened windows at the rear and
breathing some room into what
could be a very claustrophobic sett
ing. Seana McKenna, another
Blyth alumnus, assisted Robert
Beard in directing the show.
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Central Huron Secondary
School’s Vice-Principal, Ralph
Wareham attended the September
5 meeting of the Huron County
Board of Education to report on the
progress of 1989’s summer school.
Mr. Wareham had been in charge
of the program at Clinton this past
summer.
The Huron County Board has
offered summer school programm
ing in some form for the past
decade. The original core program
was designed to provide the oppor
tunity for secondary school stu
dents to attain or upgrade credit
standing in courses already taken
during the regular school year.
However, in recent years the
program has expanded to include:
remedial classes for grades seven
and eight English and Mathema
tics; satellite programs for students
with challenging learning needs;
senior division subject tutorials for
secondary student seeking single
credits needed for admission to
post-secondary institutions; tutor
ial and. marking programs fot
mature students and adolescents
wishing to complete credits started
in alternative education; adult day
school and continuing education
night school programs; and on one
occasion, a special support pro
gram was offered for certain learn
ing disabled pupils.
Due to these changes, the scope,
[Sept. 17/89]
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From Your
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organization and delivery require
ments for summer school have
changed. Therefore, the board felt
it was timely to review the current
structure.
In his report, Mr. Wareham
stated that summer school is
indeed a “valid exercise and a
worthwhile initiative” that the
board should continue.
The Board decided to review the
structure and report recommenda
tions for 1990 summer school.
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