HomeMy WebLinkAboutThe Citizen, 1989-06-14, Page 26PAGE 26. THE CITIZEN, WEDNESDAY, JUNE 14, 1989.
Entertainment
Designer back after 12 years
For Shawn Kerwin, the set
designer who returned to the Blyth
Festival for the first time this year
after 12 years away, it’s the things
that haven’t changed at the Festi
val and Blyth itself that are almost
as important as the things that
have.
After spending two summers at
the Muskoka Festival, five seasons
at the Stratford Festival, a year in
New York and more years moving
from one theatre to another across
Canada she feels a little like she’s
returning home coming to Blyth.
She’s designing “Sticks and
Stones’’ the James Reamey play on
the Donnelly murders that opens
June 21.
One of the first things she looked
for when she drove into Blyth this
spring was to see the population
sign and to see that the population
is now listed at 900 instead of 800
gave her a little thrill. And she
says, although the Festival has
grown at a much faster rate than
the village, it’s nice to find the
same feeling of everybody working
together for a cause and a feeling
that the community really supports
the Festival.
The Festival was in only its third
season when the young designer
arrived in 1977. In those days one
designer designed every play in the
Festival’s season. Not only that,
the designer also painted the sets
and did a hundred other little jobs.
The space above the village
municipal office which will soon be
abandoned as the sets, props and
costume shops holds great feeling
for her, Shawn says. She was the
person who first entered that space
and began to clean up after it had
been virtually unused since World
War II. It was she who took away
the teacup still sitting there as if
someone had just gotten up from
tea, she who took down the curtains
so old and dusty they nearly
disintegrated in her hands and she
who spent three days cleaning up
the accumulated dust to make the
space usable. It was her contribu
tion to the building of the Festival,
she says. Until then the sets,
costumes and props had all been
built in odd corners of Memorial
Hall at odd times when rehearsals
weren’t going on. It was the first
time the technical crews had had
space of their own and it seemed
like a great srep forward.
When she visits the new shops in
the Festival’s expanded “garage’’
on Dinsley Street East she sees just
how far the Festival has come, she
says. The Festival even uses a
welder to build sets, something
that was unheard of back in the
third season.
She realized the change her first
day back in Blyth, she said. She
knew, from being here to see a
show a few season’s back, that
there were now real dressing rooms
and she remembered having seen a
box office at the north side of
Memorial Hall so she went there to
ask for Festival Production Mana
ger Ray Salverda. When she was
pointed toward the Festival’s ad
ministration building, she still re
membered it as the bank where
kids used to sit on the steps after
hours. When she went in and saw
computers in the office, she realiz
ed how much had changed. The
highest technology in the old days
was a power saw, she says.
Remembering 1977 she says she
feels lucky, not only being part of
one of the formative years of the
Festival but also being here when
Blyth celebrated its centennial.
She remembers working late in
the costume shop above the clerk's
office one night during the celebra
tion and hearing the sound of
BLYTH LEGION
tt 2 BALL”
GOLF
SATURDAY, JULY 29, 1989
WINGHAM GOLF COURSE
TEE0FF:1P.M.
$30.00/COUPLE
LUNCH AFTERWARDS
PROCEEDSTOWARDS BUILDING FUND
Contact Keith Lapp526-7753or
Don Albrechtas 523-4471 for tickets
CANADA PENSION
SEMINAR
Designer returns
After 12 years away from the Blyth Festival at places like
Stratford and New York City Shawn Kerwin returns this year to
design the set for “Sticks and Stones’’ the play about the
Donnelly murders.
JUNE 21. 1989
AT 7:30 P.M.
ROYAL CANADIAN
LEGION
BR. 218 BRUSSELS
EVERYONE WELCOME
Seminar conducted by
Federal Clientservice Officer-Jim Hussey
bagpipes at midnight. She went to
look out the window and was
stunned by the sight of a shirt-tail
parade with men walking down the
street behind the band, clad in
women’s nightgowns. It’s a mem
ory that has stuck with her ever
since, the usually-quiet Blyth main
street teaming with people in weird
getups at midnight.
She remembers the Centennial
Parade, she says, which was about
the best parade she can ever
remember.
All of which, she says, makes her
feel like a relic of the past as the
Festival celebrates its 15th season.
“People say, ‘you must have been
here when they had dressing rooms
in the trailer out back’ and 1 tell
them 1 was here before the trailer,”
she laughs. Trailer dressing rooms
were only a dream as actors
dressed in the Memorial Hall
kitchen and made their way
through all kinds of weather,
outside and up the back stairs to
the stage.
She remembers too, when hous
ing, still often far from first class
for actors, might be a house several
actors shared near town that didn’t
have a floor in a livingroom. She
shared a house with James and
Anne Roy that had no electricity or
running water.
That housing problem is one of
the examples of how the Festival
has grown wisely, she says. “Peo
ple here seem to find good solu
tions to problems,” she says. In
housing, for instance, the Festival
takes the worry out of both ends of
the housing situation, renting from
the landlord and making sure he
doesn't have to worry about being
left without being paid his rent
while also relieving the company
members of worries about where
they will live and how they will get
furniture.
“The place seems to have grown
in a really wise way,” she says. All
sides of the operation from the
backstage crews to the people on
stage to the administration seem to
have gotten an equal part of the
expansion that has happened over
the years. “The company has
grown, but it’s managed to keep
the feel. It’s a nice size where you
feel we’re all working together
toward the same goals.
“I feel like it’s matured in a nice
way,” she says. “It hasn’t lost its
sense of community.” She remem
bers the generosity of the commun
ity in supporting the theatre;
remembers going into Gore’s
Hardware store and walking out
with all kinds of things to stock the
shelves of the small-town hardware
store in “The Shortest Distance
Between Two Points”. The support
of the community still seems
positive, she says.
Belgrave WMS
hears of Zambia
Continued from page 10
chards, on furlough from Zambia,
told of her work there.
Mrs. Nicholson gave a report on
the spring rally in Ripley and she
read a poem, “Watch and Pray”.
Members were reminded of the
Children’s Rally at Kintail on June
13. An invitation was received from
Calvin-Brick United Church to a
meeting June 21 at 8 p.m. Mrs.
Dalrymple read a poem “Old
Sayings”. The hymn “Tell me the
old, old story” was sung. Mrs.
Scott closed with prayer.
Brussels-area director
leads Guelph theatre project
A Brussels area theatre director
is involved in an experimental
theatre project that will help the
disadvantaged tell their story.
Joan Chandler and her theatre
company Sheatre are involved with
Headlines Theatre from Vancouver
and Mixed Company theatre from
Toronto in the project that will help
people who have had problems
with housing present their own
stories.__________________
The people involved in the
project, single mothers, runaway
teens and people who have been
kicked out of their homes by
unscrupulous landlords, will work
with the theatre professionals to
write and create two short plays,
about 15 minutes long.
When the plays are presented in
Guelph later this week the people
Continued on page 27
TOWN AND COUNTRY
HOMEMAKERS
11TH ANNUAL
DINNER MEETING
GODERICH TOWNSHIP HALL
HOLMESVILLE
TUESDAY, JUNE 20,1989
7:00 P.M. DINNER
Entertainment: Harmony Kings
Price: $10.00
Phone Bill King 887-6314, Helen Underwood 335-3579
SATURDAY, JUNE 24
C’NON
DANCING
TO "THE WHISKEY JACK MUSIC CO."
Blyth Arena Floor
Tickets $5.00/person at the door [Age of Majority required]
“IT’S OUR BIGGEST EVER
SUMMER DANCE”
W BLYTH LIONS CLUB
To ensure tickets for your group call Don Scrimgeour at
523-4551.