HomeMy WebLinkAboutThe Lucknow Sentinel, 1988-07-27, Page 15Lucknow Sentinel, Wednesday, July 27,1988—Page 15
Festival says
"We can wait no longer - the physical
facilities under which the Blyth Festival
operates can be stretched no more!"
Katherine Kaszas, Artistic Director of the
Blyth Festival explained.
"We urgently need ' to improve our
building facilities or artistic development
will be constrained. As a cultural institu-
tion of local, regional and national impor-
tance, we must provide decent workplaces
for our actors and technicians and create a
comfortable and safe environment for our
ever faithful audience. Planned Blyth
Memorial Hall improvements include pad-
ded seating and more washrooms for our
patrons, a larger box office and an
elevator for our disabled patrons. These
are all things our audiences have sug-
gested over the years."
It was October, 1987 that the Board of
Directors of the Blyth Festival unanimous-
ly endorsed a capital expansion project of
$1.8 million to meet the current restrictive
physical facilities under which the theatre
operates.
Another area for improvement
highlighted in "A Capital Act" - the Blyth
Festival's information booklet includes
improved stage facilities such as set
storage space, improved safety features
and more dressing rooms.
"If you attend the Blyth Festival on a
regular basis, you'll notice that most of the
actors enter and exit using stage left", ex-
plained Katherine Kaszas. "That's
because there's no way out. We have two
dressing rooms and I can guarantee that
for the play FIRES IN THE NIGHT, it will
be very crowded with twenty-two people
fitting into dressing rooms that were
designed for five people in each. Someday
we'll invite audience members to watch
our "set changeover" when one show gets
stored away and another put on stage for
thatevening's performance. With five
shows being staged in repertory at the
Blyth Festival each summer - it's like a
jigsaw puzzle fitting our delicate and bulky
sets into the cramped storage space in the
Hall. Our architect's designs will provide
us with new areas to expand our backstage
facilities."
Looking back at its fourteen year
history, the Blyth Festival has excelled in
production standards, developed a
remarkable record of discovering and
presenting new Canadian plays (41
premieres) and presented innovative
young people's programs. In addition, it
operates a growing art gallery with ex-
hibits ranging from local artists to the
work of Robert Bateman. Its productions
tour annually to small and large com-
munities across Ontario and beyond. Dur-
ing the fall and winter a Festival of Enter-
ty inment series offers a wide range of per-
formances for children and adults.
"One of the areas our audience never
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we can wait no longer" - Kaszas
sees, is our backstage production
facilities," says Joel Harris, General
Manager of the Blyth Festival. "They'd be
shocked to see the tiny backstage produc-
tion area (above the Blyth municipal of-
fices) where .our intricate sets, props and
costumes are made."
The capital expansion program includes
such improvements as ventillated con-
struction shops and proper rehearsal
space where workshops, Young Company
and Festival rehearsals can take place.
Architect Christopher Borgal in Consulta-
tion with the Board, staff and members of
the community has created a comprehen-
sive building expansion plan that fully ad-
dresses the needs of the theatre and our
community for the next decade.
The former bank building which now
houses administrative offices on the
ground floor will be modified to house
rehearsals on the second floor above. A
"new link" between the administration
building and the Blyth Memorial Hall will
be created to house the box office, art
gallery and improved access for all
patrons. The old garage on Dinsley Street
is actively used as a rehearsal space but
for the first time this year, it is being used
by the Young Company for rehearsals and
workshops.
"In order to raise $1.8 million to pay for
this urgent expansion project, we are look-
ing to many sources," says Lynda Lentz,
Development Co-ordinator at the Blyth
Festival. "First of all, we look to our
firmest allies - our audience and members
who support us year after year. Fun -filled
fund-raising events such as our popular
Country Fair (July 23), Gourmet Dinner
(August 13), Fashion Show, Medieval
Feast, Auction (November 5) and Murder
Mystery Dinner (October 1) - all raise
nearly $30,000 on an annual basis. In 1988
and 1989 our 50 cent ticket levy from each
single ticket sold at the Festival and $2
voucher levy from coupon pack buyers will
raise over $50,000 towards our goal. Many
businesses, corporations, foundations and
generous individuals are contributing to
the Festival's Capital Campaign. Special
cultural building grants are currently be-
ing considered by federal and provincial
levels of government."
"But even art needs fertilizer," says
Lynda Lentz. "Without financial commit-
ment on an annual basis to our operating
budget from the federal and provincial
government cultural agencies, we can not
survive. Investment in the arts pays off in
so many ways - the arts is the sixth biggest
employer in Ontario, it brings in tourists
and makes the community a happier,
richer place to work. Our ticket revenue
alone accounts for only 56% of our costs
and any capital projects such as this
building expansion plan must find funding
over and above the current operational
otl u con
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fund-raising goals. We have until mid-
August to affirm federal government par-
ticipation in this capital project, otherwise
our provincial government request for.
funds will be postponed another year."
The Blyth Festival urges its supporters
to pledge their support to the Capital ex-
pansion project and to write their MP's
and federal officials to urge them to act
quickly on this important matter.
Jamie Portman, a leading theatre critic
from Southam News said "there is no
other theatre quite like it in the country".
Greg Burliuk, theatre critic for the
Kingston Whig -Standard states, "the Blyth
Festival is in the business of growing and
discovering new Canadian plays. More
than anything else... what has enabled this
company to fit into the fabric of the com-
,munity are the plays themselves:
homegrown, they reflect the lives of the
audiences".
"With the improvements put in motion
by this capital campaign, we can, do so
much more in the research and develop-
ment area with workshops and
playwrights and as well continue our work
with the youth of the area by offering a
wider variety of programming throughout
the winter months," says Katherine
Kaszas. "Our community, our audiences
and Canada has benefitted immensely
from the seeds planted at the Blyth
Festival and its plays have flourished as
they've toured the country and appeared
in theatres everywhere."
First place drumming
Visiting with Willetta and Hugh
McWhinney were her, sister, Mrs. Dorothy
Gogo, Iva Blair, Rene Robinson and Deb-
bie Blair and a girlfriend, Tanya, from In-
gleside, Ontario.
Earlier in the month, Colleen and Allison
visited for two weeks with Grandpa and
Grandma while Jim and Janice along with
friends, toured to Denver, Colorada, USA.
Dungannon Senior Citizens held their
euchre party on Wednesday night. High
lady, Louise Brindley; low lady, Dorothy
Cuyler; high white card, Margaret Err-
ington; low man, Harvey Sillib.
On July 9, the C.M.L. 9th Annual Music
Competitions were hey ' at Bingeman
Park, Kitchener, Nath )urnin, s n of
Wayne and Linda Durnin, entered in the
Dby Bonnie Hodges
UNGANNON
Open Drum Solo and received a first prize
trophy. Congratulations Nathan.
Congratulations to Allister Nivins, R. R.
Auburn, who celebrated his 40th birthday
on Saturday night at Gary and Joanne
Sproul's residence. Many friends and
relatives attended.
Birthday greetings to Colleen Caesar,
Tammy Roberts, Diane Drennan, Wayne
Durnin and Gary Sproul.
If you have news to be shared with your
community, please call Bonnie 529-7620.
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