HomeMy WebLinkAboutThe Citizen, 1987-07-22, Page 23THE CITIZEN, WEDNESDAY, JULY 22, 1987. PAGE 23.
Entertainment Young actors re-create
'School-on-Wheels'
Theatre review story for stage
a al moral' a convulsive hit
Taking a short-cut, the effervescent Beth Anne Cole leaps across the
hotel counter in a scene from Miss Balmoral of the Bayview, which
opened July 14th at the Blyth Festival. As the zany character Patsy
Cherubino, Miss Cole easily steals the show, which was sold out long
before it opened.
BY TOBY RAINEY
Eventothe hordes of devoted
Colleen Curran fans who snapped
up every available ticket to “Miss
Balmoral of the Bayview” long
before the play’s premiere on July
14, this has got to be the best and
funniest offering ever to hit Blyth,
with the laughs coming so thick and
fast throughout the entire first act
that a helpless audience scarcely
had time to catch its breath before
the next convulsion hit.
Stratford Festival offers free concerts
For the third consecutive year, a
series of free music workshop
concerts will be presented by
musicians and friends of the
Stratford Festival with the support
of Artistic Director John Neville.
The concerts will take place at
10:45 a.m. in the Third Stage on
selected Saturdays and Sundays
throughout July and August.
The series began Saturday, July
18 with French horn duos (Duet No.
8 from Twelve Duos for Two Horns
by W.A. Mozart, FirstCallfrom
Five Duos for Horns by R. Luedeke
and Duet No. 1 by O. Nicolai) and
Londesboro boy hurt
in accident doing well
The father of an eight-year-old
Londesboro boy says his son is
“coming along fine” after being
struck by a car while riding his
motorized mini-bike near his home
on July 3.
Douglas Maize has been moved
out of the intensive care unit at the
Children’s Hospital of Western
Ontario in London, but he still has a
long battle ahead of him before he
can come home again, according to
The comedy is zany without ever
becoming inane, the story often
touching without becoming maud
lin, and the local touches sprinkled
so liberally throughout the script
were never lost on the delighted
audience, showing just how clever
ly Miss Curran has her finger on
our Huron County pulses.
The title character is a staid and
proper Scottish teacher who has
responded to what she thought was
a position suitable to her station in
brass quartets (Ricercar del Duo
decimo Tuono by A. Gabrieli, Four
Miniatures by E. Grieg, Three
Renaissance Pieces arranged by D.
Sweete and Lyrics and Laments by
D. Sweete, a premiere perfor
mance).
Other concerts in the series are
as follows:
•July 26: Serenade by M.
Barnes, Seventeenth Century
French and English Lute Songs,
Dinosaurus by A. Nordheim and
SonataforFluteandPianoby F.
Poulenc.
his father, Greg, of RR 1, Auburn,
who adds that his son will likely be
in a wheelchair for some time
following his release from hospital.
The child’s injuries included a
skull fractured in two places, both
legs broken in several places, a
broken arm, a broken collarbone,
and a crushed foot as a result of the
accident, which took place at the
family’s driveway on the 12-13
Concession of Hullett Township.
life at the once-illustrious Bayview
Inn, finding out too late that the ad
really just wanted a caretaker for
the building which cannot be tom
down because it has been desig
nated a heritage site.
However, since she cannot
return to her former post at an
exclusive girls’ school because of a
shattered love affair, Beatrix
Balmoral decides to stay on and get
the Bayview back in business,
taking under her wing some of the
village’s most winsome strays
along the way.
Judith Orban makes a truly
believable Miss Balmoral in her
journey from stiff and proper lady
whom nobody has ever called
‘ ‘Trixie ” to the thoroughly likeable
mainstay of her chosen communi
ty, but it is Beth Anne Cole as the
wildly erratic but well-intentioned
Patsy Cherubino who steals the
show, aptly demonstrating why
she has been called ‘‘one of
Canada’s leading performers.”
Jerry Franken is perfect as the
hotel’sphilospher-handyman, cre
ating a solid and likeable character
who is always in the right place at
the right time despite the meddling
of his sister-in-law, Patsy. Kevin
Bundy is appealing as the bumb
ling and insecure hotel manage
ment-trainee, reminding us all of
our first stumbling steps into the
real world outside of school.
The play’s two remaining char
acters, Shirley Hall as the crusad
ing librarian Dehlia Abbott and
Stan Coles as Beatrix’s selfish
ex-lover, pale in comparison to the
rest of the cast, with Miss Hall
coming on as too stiff and
one-dimensional in her role, and
Mr. Coles appearing altogether too
much of a caricature of the nasty
character he is supposed to be,
despite being the play’s only
villain.
However, the relative shallow
ness of these two last roles only
slow down the action for a moment,
and it is a safe bet that nobody will
leave the theatre feeling anything
but that they have just witnessed
the birth of one of the biggest hits
ever to be premiered at the Blyth
Festival Theatre.
•August 1: Concerto for Alto
Saxophone, Trumpet, Piano by J.
Rivier, Old Dreams (premiere
performance) by B. Dickinson,
Jazz (saxophone, trombone,
piano, bass, drums, vibes) and
Toot Suite by C. Bolling.
•August 16: Serenade for Tenor,
Horn and Strings by B. Britten, Er
Der Herrlichste and Du Ring by R.
Schumann, Ave Maria from Otello
by G. Verdi, Four Preludes by D.
Shostakovitch and Banalities by F.
Poulenc.
•August 22: The Swan by
Saint-Saens, The Hummingbird by
G. H. Green, Favour by D. Jaeger,
TrioforTrumpet, French Horn,
Trombone by F. Poulenc and Air
and Burlesque by A. White.
•August 29: Violation by B.
Adolphe, Trio for Violin, Clarinet
andPianobyA. Khatchaturian,
TrioforTrumpet, French Horn,
Trombone by A. Frackenpohl and
Sonata by R. Clarke.
•August 30: Baroque Trio Sona
tas, Divertimento for Oboe, Flute,
Clarinet by M. Arnold, Quintet in C
Major by L. Boccherini and Music
Without Pretensions by M.
Wuensch.
Admission to all these music
workshop concerts is free.
An enthusiastic group of young
people has just started work on a
project which will bring alive a
unique segment of Ontario history
to their peers, and bring back fond
memories to many of the older
generation in the Blyth area.
For the eighth consecutive year,
the Blyth Festival is offering its
summer programme of youth
workshops, and this year’s project
for the older group (12 years and
up) will be the story of Fred and
Cela Sloman of Clinton, and of the
39 years that Mr. Sloman spent as a
teacher on the travelling School-
on-Wheels which brought the only
education they would ever know to
more than 1,000 isolated children
in Ontario’s vast northland.
The story is special to Blyth,
since Mr. Sloman’s first school, in
the early 1920’s, was the old Blyth
Continuation School, now used as
an apartment building at the north
end of the village, and many of the
older residents in the area still have
special memories of their early
schoolmaster, who was later to
become famous all across Canada.
Tom Bailey, one of the research
ers in the youth workshop project,
says that the group has not yet
decided on the final format of the
play they will present on August
13-14, because they are a bit
worried about creating “a charac
ter as huge as Mr. Sloman, who
would makeitalmost a one-man
show.”
Instead, the young people may
present the School Car story from
the point of view of Mr. Sloman’s
students, which would give all of
them a chance to develop their own
acting and theatre skills, which is,
after all, the chief purpose of the
summer workshops, as Mr. Bailey
points out.
Leah Cherniak and Martha
Ross, co-artistic directors of Thea
tre Columbus in Toronto, will lead
the workshop, with Ms. Cherniak
leadingthe group in improvisa
tional sessions to flesh out the Fred
Sloman story, while Ms. Ross will
help co-ordinate the material and
write the script.
Lisa Frayne, who was the leader
of the recently completed youth
workshops for two younger groups
of childrenin the theatre’s summer
program, will serve as stage
manager; while Mr. Bailey and
Brad Milburn will lead the group in
researching the story.
The research to be undertaken
by the young actors will include a
visit to the actual school-on-wheels
used by Mr. Sloman, now located
in Sloman Park in Clinton, where it
was moved five years ago after
being purchased by the Town of
Brussels Optimists
5O’s Dance
Featuring “ Hoople s”
Saturday, August 15
B.M. & G Community Centre
DANCING9TO1
Tickets $6 per person available from any member.
Clinton in honour of Mr. Sloman’s
memory.
Now almost fully restored as a
museum, the School-on-Wheels is
open daily throughout the summer
months, attracting hundreds of
travellers each year as its fame
spreads. One of Mr. and Mrs.
Sloman’s five children, Margaret
Sloman, hasbeentheCuratorof
the Car for the past two summers,
and can provide a very special kind
of insight into the history of the
school which so fascinates its
visitors.
Although Mr. Sloman died a
number ofyears ago, Mrs. Sloman
is still bright and lively at 90 years
of age, living only a few blocks from
thefinalrestingplaceofthe Car
which was home to her family for so
long. During his initial research,
Mr. Bailey spent several hours
talking to Mrs. Sloman, and to The
Citizen’s Toby Rainey, another of
the Sloman children.
In 1985, CBC-TV presented the
story of the School-on-Wheels in an
hour-long docu-drama directed by
Jim Swan and starring Gordon
Pinsent as the pioneer teacher; and
last year, Karl and Mary Schuess-
ler wrote a book outlining the role
of the travelling schools in On
tario’s educational history. The
play to be presented next month
will be a welcome addition to the
ongoing story of the Sloman School
Car, and Katherine Kaszas, artis
tic director of the Blyth Festival,
has made the suggestion that the
work done by the youth workshop
this summer may some day be
re-worked and expanded for pre
sentation on Blyth’s professional
stage.
Tuck & The
For Linda Blake and Rag
HathiramaniatBMG Commun
ity Centre, Friday, July 24th, 9 -
1. D.J. Lunch provided. Every
one Welcome.
THURS., FRI., SAT
5P.M.-12A.M
Blyth Inn
EAT IN OR TAKE OUT
523-9381