HomeMy WebLinkAboutThe Citizen, 1987-06-10, Page 5THE CITIZEN, WEDNESDAY, JUNE 10, 1987. PAGE 5.
^7'
...comes the plaintive cry
of an overworked 'props' mistress
Deborah Ratelle, Props Master at the Blyth Festival Theatre, has all the smaller props she needs for the
play “Bordertown Cafe”, but she is still desperately seeking several items of commercial restaurant
equipment, and time is running out: the play opens on June 23.
BYTOBYRAINEY
Deborah Ratelie wants some
commercial restaurant equip
ment, and she wants it FAST.
She’s ready to beg, borrow, rent or
steal the stuff she needs, and will
even consider buying it... just as
long as it is in place on the stage of
the Blyth Festival Theatre by June
23, the day that the new play
“BordertownCafe” opensfor a
month-long run.
As Props Master for the theatre,
Ms. Ratelie has less than two
weeks to find a counter-top grill, a
deep, stainless-steel sink, a com
mercial ice cream freezer, and a
milk refrigerator with stainless-
steel or plexiglass doors, and she is
getting desperate.
“Everybody in the province
knows I’m looking for these
things,” she claims, “and still I’ve
had no luck. My phone bill for this
month is going to be astronomical -
I’ve called restaurant supply hous
es, demolition business, auction
eers, every restaurant in Ontario
that is closing down, and all the
other theatres I can think of, but
nothing has turned up.”
She’swillingtobuy the items
she needs, as long as they’re cheap
(“ ‘Cheap’ is the operative word;
we’re on a budget,” she says), but
can’t even find used equipment for
sale at this time of year, although
she has been told by numerous
supply houses that second-hand
equipment would be easy to find in
the winter, when struggling busi
nesses are more likely to close, and
profitable ones more likely to
re-vamp.
So if anybody out there has even
the remotest lead on where this
equipment can be found under any
circumstances, call Ms. Ratelle at
the Blyth Theatre at 519-523-9300
or 523-9225 immediately: time is of
the essence! The equipment need
n’t be in working condition, and it
needn’t even be in good condition
(the Cafe is, after all, a little seedy
and run-down, situated as it is
miles from anywhere on the
Canadian side of the Alberta-
Montana border.)
“This is one of the most
frustrating jobs I’ve ever had -
trying to find this equipment with
so little time left,’’ the Props
Master says. “The search is
always on my mind; I even wake up
in the middle of the night thinking
of it.’’
If used equipment cannot be
found in time, Ms. Ratelle says
there are three options open to her,
all of them far from satisfactory.
The theatre’s carpentry depart
ment could attempt to build the
needed items, but it is virtually
impossible to fake stainless-steel.
The theatre could buy new restaur
ant equipment - but this would be
prohibitively expensive for a play
with a month-long run. Or the
scene that takes place in the
kitchen of the cafe could be cut
from the script, but this would
require a major re-thinking of the
entire act; since a lot of important
action takes place around the grill,
changing the scene would lessen
the impact of the entire play,
making this the least favourable of
the three options.
Meanwhile, the search goes on,
with each passing day bringing the
time closer to a major decision, and
with the brunt of the worry borne
by the Props Master, who is, after
all, the one responsible for having
all the props in their proper places
at the proper time.
It’s a job that Ms. Ratelle loves,
despite the odd bouts of panic that
beset the position. “There’s a
huge amount of job satisfaction
here,” she says. “My life is like a
giant treasure hunt, with new
contacts to be made for every show,
and new things to be found.”
Part of the job is to go to local
garage sales, where the most
astoundingitemsoftenturn up,
according to Ms. Ratelle. Eventu
ally you get to know everybody in
the area who might have any
connection whatsoever to the
things you want, she claims, and
you always have an eye out for
items that will be needed for other
shows your theatre is doing
throughout the season.
For example, Ms. Ratelle is still
finding bits and pieces needed for
the season ’ s first production, ‘ * The
Girls in the Gang,” although she
was fortunate enough to have
found, early in her search, the
items which are traditionally diffi
cult for theatre people to track
down - authentic guns for the
notorious Boyd gang which thrilled
and terrorized Ontario in the late
40’s and early 50’s.
With the help of a Clinton
business, Ontario Gun Services,
she has been able to get the 13
firearms required, including hand
guns, shotguns, and even a
machine gun from the right period.
Fortunately, guns have changed
little over the past 40 years, so even
the modern air pistols which the
theatre must use in lieu of the more
deadly weapons which require the
use of a gun permit, look authentic,
Ms. Ratelie says.
The remainder of the props
required for “Girls in the Gang”
were fairly easy to find, with the
“props list” considerably shorten
ed because the play is a musical,
which requires more stylized
scenery and furnishings than does
a totally realistic production such
as “Bordertown Cafe,’’ or last
year’s big hit in Blyth, “Another
Season’s Promise.”
“The more realism a play has,
the more realistic the props must
be, because the actors have to
handle them, use them as they
would items in real life,” explains
Ms. Ratelle. To demonstrate her
point, she indicates a floor-to-ceil-
ing stack of shelves in her tiny
“props department” above the
Blyth Municipal Office and Li
brary, which contains literally
hundreds of items that will be used
in “Bordertown” to add realism,
ranging from items as small as a
teaspoon, as common as a 48-
ounce can of tomato juice, and as
cumbersome as a counter with bar
stools which is currently being
built by the carpentry department
next door to the props department.
The counter and stool tops can be
built to fit the scene where they are
needed, since all necessary materi
als are readily available and easy to
work with, with the exception of the
stool pedestals which are on loan
from another theatre. Ms. Ratelie
has a unique understanding of the
problems faced by the carpentry
department, since she herself
began her theatre career as a
carpenter in the scenery shop of a
theatre in Cleveland, Ohio.
Later, she was hired by the props
department of the famous Actor’s
Theatre Louisville, Kentucky,
where she became completely
hooked on props work after having
to collect (and build) all the items
needed in her very favourite
production, “A Christmas Carol”,
which required “all sorts of
wonderful things” to set the
ghostly flashbacks and the Christ
mas scenes.
The native of Thunder Bay,
Ontario, has travelled many paths
since graduating with a degree in
chemistry from Concordia Univer
sity in Montreal a number of years
ago, but she wouldn’t trade her
present position in the “technical
end of theatre production” for
anything in the world - despite the
rising panic that her temporary
failure to locate some used restau
rant equipment is currently caus
ing!
The Palestinians
- the wandering Arabs
BY RAYMOND CANON
A very good friend of mine is a
Palestinian Arab and, while I don’t
get to see him as often as I would
like, my conversations with him
over the past 15 years have given
me what I consider to be a special
insight into the problems of that
most nomadic of people - the
Palestinians. Ever since the state
of Isreal was formed in 1948, it has
been a question of what to do with
them and I must confess that the
participants do not appear to be
any closer to an answer than they
were 10 years ago.
Perhaps a bit of background
material is in order at this point.
The Palestinians are those people
of Arab origin who lived in what we
knew as Palestine, that part of the
world that the Jewish people have
come to consider as they home
land. It was, in fact, the homeland
of both Jews and Arabs; they are
after all, according to the Bible,
cousins. Jerusalem does mean
something to both Jews and Arabs
and, as in many a struggle, there
has to be both a winner and a loser.
So far it has been the Palestinians.
The 1948 war, the first of several
between the new state of Israel and
its Arab neighbours, was basically
which one should live in Palestine.
The country had been awarded to
the Israelis but the Arabs refused
to accept the decision of the United
Nations and thus a series of bloody
battles. This should not be taken to
mean that all the Palestinians left;
at the present time there are over
half a million of them in Israel
proper, another 800,000 in the
West Bank, which Israel took from
Jordan and another 520,000 in the
Gaza Strip, which is on the
Mediterranean Sea between Isreal
and Egypt but which is still under
Israeli control.
for tnose raiesimians who uiu
leave, there has been very much of
a love-hate relationship between
them and the rest of the Arab
world. Frankly they have been
used as a club with which to beat
the Israelis over the head since
there is no reason why the same
Palestinians could not have been
adequately absorbed into the other
Arab countries. Asitis, many of
them still live there. To give you a
few more figures, there are no less
than 1.2 million in Jordan, 400,000
in Kuwait, 250,000 in Saudi
Arabia, 350,000 in Lebanon and a
further 350,000 or so scattered
throughout other Arab nations.
There are a number of Palestini
an organizations but the chief one
by far is the Palestinian Liberation
Organization, led by Yasser Ara
fat.
Mr. Arafat, for one, would
probably agree with my statement
that some of the Arabs hate him as
much as the Israelis do. He has
seen his people kicked out of
Jordan after a particularly bloody
battle. Later on the same thing
happened to him in Syria and
Lebanon; one thing to keep in mind
is that this is a case of Arab killing
Arab but that apparently does not
mean too much to some of them.
As far as the Israelis are
concerned, true negotiations can
only begin between the two sides
when the Palestinians officially
accept the right of Israel to exist as
a state and this is one thing that
even Yasser Arafat, who must be
considered as something of a
moderate by Palestinian stan
dards, cannot bring himself to do.
Until that is done, say the Israelis,
forget any talks.
The Palestinians do share one
characteristic with their Jewish
cousins. In spite of all the
persecution which has taken place,
both feel themselves very much as
an individual entity with a common
destiny. The sad part is that both
destinies include the same bit of
territory on the shores of the
Mediterranean Sea.
There is one thing that I am sure
has notbeenloston the Israelis.
Given that the population of Israel
is not that large, it is quite possible
that one day the Arabs might come
to outnumber the Israelis. What
then? I think that you can
understand at this point that the
Israelis, too, have cause to come to
some sort of settlement before that
happens. The Palestinians could
well win with the cradle what they
failed to do with the rifle. History
does have a strange way of
repeating itself.