HomeMy WebLinkAboutThe Citizen, 1988-08-03, Page 23Playwright helps nurture plays
Over 14 seasons the Blyth
Festival has built a nation-wide
reputation in the theatre commun
ity as originator of dozens of new
scripts on the stage at Blyth
Memorial Hall but there are also
plays being developed at Blyth that
may never be seen here but go on to
success elsewhere.
As playwright in residence at the
Blyth Festival this summer, Bryan
Wade has, as one of his duties,
to help develop some of those
scripts. As the Festival begins the
summer workshop process, in
which playwrights get a chance to
work with some of the Festival's
actors toironoutthewrinkles in
their scripts, Bryan is preparing
one of his own scripts “Dinosaurs"
for the workshops. The play, a
realistic piece about young couples
in a small town and what happens
when they can’t change, will be
premiered at the New Play Centre
in Vancouver this fall, so the extra
work it gets now is welcome. “It’s
really a luxury to be able to use the
actors and be able to fine tune the
script," he says over coffee at the
local cafe. He has been using some
of his time in Blyth this summer to
work on the script as well as a radio
script for the CBC radio show
"Vanishing Point”.
He's also been involved in
reading the scripts of other authors
and helping Katherine Kaszas,
artistic director and her associate
Ron Gabriel decide if a script is
ready for workshopping or if the
Cornball drama in “Dinsley - the Soap” is presented by [back] Holly
Horton and Kris Chandler; [front] Becky Penn, Rachel Thompson and
Jake Chalmers.
Character raised by wolves, nuns
Continued from page 22
what happens next. As in all good
soap operas, each episode ends
with a real cliff-hanger of a
situation, although none of the
predicaments the characters get
into, playwright Curran assures
us, are mere dreams.
The good and evil identical twin
sisters Kathy and Cathy Dudley,
playedby ChristaCrawford and
Becky Penn, are especially well
done, with both girls fitting into
their respective characterizations
with great ease as the sweet and
simple home-town girl engaged to
be married, and as her thoroughly
wicked sister getting set to take
over the town of Dinsley.
Alsoexcellent is Holly Horton as
the rich and eccentric Minerva
Grey who spends her days in
artistic pursuits while trying to find
away to share her delight in life
with other artists; Miss Horton’s
facial expressions and body langu
age are worth the price of
admission alone. And Rachel
Thompson is very convincing as
the unhappy and barely civilized
13-year-old foundling, Winona,
who was raised by wolves and
nu ns, and who has been engaged to
act as a nanny and general servant
to Minerva and her husband, Earl
Grey. It’s probably best, however,
not to watch too closely what it is
Winona is DOING a lot of the time.
Stephanie Lentz, as the objec
tionable but thoroughly unflapp
able Gladys Glynnis, the town
clerk, alsogives a performance
worthy of special mention in
Episode 1. In fact, all of these
young actors are well worth
watching, and all give very cred
ible performances, considering the
short lead time they have had to get
into their various roles.
The only disappointment, in
fact, is that one cannot help but feel
that Sadie Hood, one of the
younger actors in the show,
deserves abetter role than that of a
tomato, considering the excellent
performance she gave as the young
child in lastyear’s Young Company
show, Off Track. Let’s hope better
things are in store for her in
Episodes 3 and 4.
Episode 3 of Dinsley - the Soap,
not the Street will be performed at
noon and again at 7 p. m. on Friday,
August 12; while the fourth and
final episode will take place at the
same times on Saturday, August
13, at the Festival’s Dinsley Street
Garage. Admission is available at
the door on a first come first Served
basis, at $2 for adults, $1 for
teenagers, and free for kids under
12.
Trinity Anglican Church
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plays are suitable at all. From the
hu ndreds of scripts the festival will
be workshopping four plays.
Dinosaurs will be worked on by
actors Carol Sinclair, Nancy Ro
berts, Andrew Wheeler and Peter
Smith on Friday and Tuesday,
August 16 with a public reading on
Thursday, August 18 at 5:15 p.m.
A new writer Thomi Root will
have his play “Caged Birds’’
workshopped August 3 and August
17.
Festival favourite as actor,
director and author, Layne Cole
man will have his play “Seven
Crosses for Uncle Bill" workshop
ped from August 22 to 27. The final
workshop will be “Perils of
Persephone" by Dan Needles and
Rod Beattie, the popular author
and performer of the Wingfield
farm plays. It will be directed by
Katherine Kaszas and take place
from August 29 to September 3.
Bryan became the playwright in
residence after a telephone conver
sation with Ms. Kaszas last winter.
As author of the play Polderland in
1985 he knew something about
Blyth but thought that spending
the summer here would be a good
opportunity to get to know the
people since when you’re busying
writingaplay, he says, there isn’ta
lot of time to really get to know the
community.
With getting time to write his
own scripts, reading scripts sub
mitted to the theatre and sitting in
on rehearsals of the Festival’s
plays it is quite exciting, he says.
Sometimes a writer can get so
caught up working alone on his own
work that he can lose touch but
going into rehearsal reminds him
“yeh, this is what theatre’s all
about".
He has moved back to his native
British Columbia where he teaches
at University of British Columbia
and he’ll head back for another
year of work on August 20. But
after going back to the west he says
he can see why so many BC artists
have come to Ontario. There is no
provincial arts funding in BC which
means it is hard for anything but
the most commercially acceptable
work to get done. That’s one of the
things that made it so attractive to
come to Blyth because there is so
much going on here, he said
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— PLUS 2nd FEATURE —
THE CITIZEN, WEDNESDAY, AUGUST 3, 1988. PAGE 23.
Bryan Wade takes a few minutes to relax from his activities as
playwright-in-residence at the Blyth Festival. The Vancouver writer is
spending the summer helping other writers with their work, reading
scripts to choose possible future productions and working on his own
plays.
THURS., FRI., SAT.
5P.M.-12A.M.
BLYTH INN
EAT IN OR TAKE OUT
523-9381
BROWNIE'S
DRIVE-IN THEATRE
Brussels Optimist Club
BLAST FROM THE PAST
featuring: "HOOPLES’'
Saturday, August 20, '88
B. M. & G COMMUNITY CENTRE
Dancing 9 to I a m. — Lunch Available
Age of Majority Card Required
Admission — — $7.00 per person
Proceeds for Community Betterment TICKETS AT THE DOOR
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Playing from Friday to Thursday, August 5-August 11
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