HomeMy WebLinkAboutThe Brussels Post, 1977-08-24, Page 5What's going on at the Curling
ub? A n yone who wandered into
across from e building
aforth's arena would certainly
nt an answer to that question.
Five or six young people are
ding selections from Shake-
eare.!s Midsummer Night's
am. A young man is playing
sic on a portable organ in the
Aground. Another man with a
g grey beard and curly hair is
osely watching the action and
out chortles and groans
cording to his reaction to what
going on.
Suddenly the scene changes
m a Stratford Festival style
dering of Shakespeare's
assic to a group of local people,
cussing the play they are
arming for a centennial cele-
adorn
It's simple really, and very
manding work that's going on
the curling club every weekday
in nine or ten until four.
eatre Passe Muraille, under
e direction of Listowel native,
ul Thompson (a "grandfather
the theatre" he says in a creaky
d voice) is putting together a
ay.
No Script
There's no script as such. The
pie who brought us The Farm
ow, created several years ago
ing a stay in the Clinton area,
e "writing" a new play, based
n Seaforth, that draws on local
cots and experiences. They're
rking it out as they go along
d their concentration and dedi-
ation shows even the casual
bserver that it's very hard work.
Paul Thompson says many
Canadians feel like "misfits" in
he regular established theatre.-
at's because actors and -
audiences have to pretend to be
what they aren't in order to get
nvolved in plays that come from
somewhere else. "It's even more
confusing when we have to
pretend that our cultural base is
somewhere else", Iv- says,
referring to Stratford" Aannered
English style of action.
Thompson one' r'M are trying
'to see what we can do with what
we are," he says.
He's got nothing against.
Shakespeare. "He has great
lie
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NEW MACHINERY CREW?— Actors from Theatre
Passe Muraille, who've been rehearsing a" new play
during July and August at the Seaf .orth Curling
Club, ham it up for promotional photos at Vincent's
Farm Equipment. - (Expositor Photo)
and he's only half kidding.
Ted, as Puramus, thinks his
girl friend Thisbe has been killed
by a lion and he kills himself.
".Wait a' minute, there are no
lions around here", somebody
says as Seaforthreality interrupts
Shakespeare.
Realistic
There follows a discAsion
about realistic violent death. "A
car accident ... cars are the lions
of our time," someone suggests.
The girl could be killed in a farm
accident, someone else suggeAs
that Bottom, .the implement
dealer objects "farm machinery is
not' going to be the villain in this
play."
"It could do your business
good. , You could say you got
combines that don't attack
people", another member of the
centennial committee puts in.
':All I can say is this running
around in a cemetery is not going
to go over", says Ted Johns as
Bottom and the cast goes, on,
truggling to bring Shakespeare
and Seaforth close to each other.
At 4 P.M. the group recesses
for the day. The director has to go
pick up his kids at Seaforth's
Snoopy Summer School.
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eatre Passe Muraille
Seaforth , Shakespeare in play
THE BRUSSELS POST, AUGUST 24, 1977 —S
The Pall Bazaar, tea and bake
sale were the main topic of
discussion at the August meeting
of the Huronview Auxiliary, held
n the Craft Room on August 15.
The suggested date for the bazaar
%October 19 and it is hoped that
many more members and visitors
will be present at the next
meeting of the 'Auxiliary on
stories, the characters, even the
words are good" but the TPM
group want to •translate one of the
great stories, Midsummer
Night's Dream, into a play that's
meaningful to Western Ontario
, people.
That involves trying, out the
play's scenes "Stratford" style
and then using the basic themes,
love, death and family feuding to
come up with a new Midsummer
Night's Dream that is real to us
here now.
Bottom
The play focusses on. John
Bottom, a local farm implement
dealer, played by Ted Johns, and
a small group of "Seaforth"
people who are planning a play as
part of the town's centennial
celebration's. The play inside a
play is going to bear- some
resemblance to Midsummer
Night's Dream, I think. "It won't
be all Greek to you," Paul
Thompson promises.
Centennials are really
important to Canadian culture,
Paul believes. They're an excuse
to enjoy things like theatre,
music, dancing, entertainment
"things we're not supposed to
enjoy", he jokes. At centennial
time too, you` see sides of people
you don't normally see", people
you spend your lives with in small
towns, people like the TPM actors
are, trying to portray.
Yup, the Centennial is an
Underrated cultural catalyst, he
says with mock seriousness.
TPM's style of theatre
demands a lot from, actors. "It's
important to have people who are
able to observe real situations
accurately," the director says.
The TPM people have been
living,,and observing, iii Seaforth
since early in July and will be
rehearsing in their rented curling
club space until August 21.
Commercial
Many of them are living at the
Commercial Hotel. Paul
Thompson and his family are in a
farm house near Brussels. Ted
Johns, his wife Janet Amos who
directed The Blyth Memorial•
History Show this summer and
new born son are renting ahouse
in Stanley Township.
September 19 when plans will be
finalised.
During the business session,
-members answered the roll call
by giving their date of birth.
Minutes of the previous meeting
were read by Mrs. James Griffith
in the absence of Mrs. A.
McNichol. To conclude the
meeting, jelly roll and tea were
served.
All 'of the actors, except Alan
Brydle from Toronto, have lived
and worked in small towns,
Connie Kalder and Linda Grifith
in Saskatchewan, veterans Ted
Johns and David Fox in
Ontario and Donna I3Utt in
Newfoundland. "It's a whole new
world for him, Brydle" Thompson
says.
Canadians have an easier time
working on a play that draws on.
Canadian roots. An American
actor left the company after they
started work in Seaforth because
things didn't really make sense to
him. He was lost and "had
trouble digging into the local
community', the director says.
Sense of Geography
Local people have more of a
sense of geography, of what it is
to be Canadian than Toronto
people do, Paul Thompson thinks.
Toronto is pre-occupied with
American type fads, currently the
Blue Jays baseball team.
TPM will have to fight to get an
audience when they take their
Seaforth play to Toronto, the
director says, because Canadian
plays aren't "in" any more, the
city is on an Americanizing binge.
"Everybody is so, happy , about
having a team that is last in the
American League. The enthuse
iasm about that is really, crazy,"
he says.
Seaforth and area people will
probably be able to see the play at
the end of the summer before the
cast goes to Toronto to 'refine
what they are doing, perform
there and then go on ' across
Canada tour, but arrangements
aren't final yet..
Death Scene
Back at the rehearsal -in :the
curling club the group is working
out how to do the death scene
between two lovers whose
families are trying to keep them
apart.
"Whoops" says Ted. Johns
when Paul tells him he's "too
powerful, you're supposed to be
hurting." The actors provide
their own- sound effect and John
Grey plays eerie tinkling music
for the graveyard scene. "That's
it, neurotic" Thompson says
when Ted comes on more quietly,
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Huronview bazaar
lanned for Oct. 1'9