The Exeter Times-Advocate, 1947-04-03, Page 8Page 8 THE TJMES-ADVOCATE, EXETER, ONTARIO, THURSDAY MORNING, APRIL. 3r<J, 1947
The story thus far: Twice mar-1 nervously.
vied and twice divorced. Agatha “She’s so young, Agatha. She’d
LeClaire is still aware of the total
lack of love in her life. When she
meets Enid Walters, young Mont.-
teal newspaper woman, and her
4'iance, Hugh Meredith, she is at
tracted to (both. She invites Enid
to live with her, and the girl ac
cepts. Agatha is conscious that
Hugh is falling in love with her.
and knows that she wants him to,
in spite of the disloyalty to Enid.
Hugh finally protests his love, and
Agatha admits that she loves him
also.
CHAPTER V
Life progressed smoothly for the
three eocmpanions. As the calm
surface above a whirlpool may con
ceal the fierce undertows and eddies
beneath, so did the placid routine
of life at the Mountain street resi
dence conceal the restrained fury
of emotions that had gripped Ag
atha and Hugh Meredith.
Weeks passed; the city emerged
from the icy grip of a Canadian
•winter into a warm and early
spring. The three retired to the
library one warm night to cele
brate officially the opening of the
windows upon the unseasonably
warm air. And it was then that
Enid made an announcement which
she had been hoping to make for
months.
“The chief has given me an im
portant assignment,’’ she told the
<two. “It means a trip west and
an opportunity to write up the most
gorgeous spectacle of the year.’’
To their questions Enid replied
that she had been assigned to re-
iport the Festival of Nations in Win
nipeg, a huge and picturesque con
vention of the descendants of the
various nationalities in Canada, an
affair that promised to draw tour
ists to the province from hundreds
of miles, even from foreign coun
tries.
Agatha, and Hugh were loud in
their rejoicing over the girl’s good
fortune, louder really than there
■was any need to be. But Enid did
■not notice that. To her it was
enough that these two whom she
loved should be happy for her; she
asked nothing more.
She babbled on merrily about the
festival, of the great figures of
journalism who would be there.
Then it was time for her to leave
ifor the office.
“Book reviews, a resume of the
season in the theatre,’’ she told
them. “I’ll be one busy woman
for the next few days. Then to
Winnipeg.”
After she had left. Agatha or
dered cocktails for Hugh and her
self. They sat in the semidark of
the early spring twilight, sipping
the cool drinks, studying their own
thoughts — thoughts that scurried
through their minds like the shad
ows scurried through the room.
Hugh finished his drink rapid
ly and rang for another. His face
was almost sullen in the growing
dusk, sullen and, it seemed to
Agatha, even ashamed. She sat
quietly watching him, seeing how
the shadows made a play of his
features, seemed to stiffen the line
of his jaw, make grim his lips. A
little breeze through the window
rumpled his hair and he straight
ened it with an impatient gesture.
Hugh* seemed changed these last
few days. Agatha had seen it com
ing, had almost welcomed it. It
meant that he was ready for de
cisive action. She wondered if he
realized how impossible it was for
him to divide his affection between
two people. To Enid it didn’t mat
ter—yet; but Agatha felt the ten
sion, the strain. Hugh’s indecision
had enforced on her. She realized
now that Hugh felt it too.
Her voice broke the long silence
and it was a little harsh with ner
vousness.
“Hugh,” she said, “we’re not
•being fair to her.” ,
“Eh?” He looked up quickly,
lifs eyes flashing with something
unpleasant. “Fair to whom?”
“To Enid.” Agatha was resolute.
Why couldn’t Hugh be honest with
liimself?
“To Enid?” Hugh asked. He
spread his hands in a gesture of
helplessness. “Well, what can we
say to her?”
Agatha waited; Hugh would
have to solve this problem himself.
He stood up and began to pace
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think the world had come to an
end if I broke our engagement. I
could hardly endure telling her,
i myself.”
. Agatha still remained silent.
Hugh stopped in front of her, look
ed down at her appealingly.j “Agatha," he said, “we've got to
I settle this.”
' “I think so too,” she breathed.
“We can’t go on this way — 1 ! can't. God knows I do love you.
> and I have to be fail’ to Enid . . .
but how!"
He strode over to look dejectedly
out the darkening window.
Agatha felt a sudden fierce pos
sessive sympathy for Hugh. She
longed to go to him, to comfort him,
but once again she waited. Let
Hugh work out all three of their
destinies.
She refused to let herself think
how this was hurting Enid; long
ago she had hardened herself
against that kind of sympathy,
steeled herself against thinking at
all.
Hugh turned to her again, and
the hard lines about his mouth had
softened a little.
“We’ll have this thing settled be
fore Enid returns from the West,”
he said. “We’ll have time to think,
then . .
Even as Agatha felt her blood
chill with slow disappointment at
Hugh’s indecision, she understood
how he must feel. He had loved
Enid. Might he not still love her?
Might not she, Agatha, be merely
a passing fancy?
“Tell me, Hugh,” she asked care
fully, “don’t you think I should go
away for a while?”
She was consciously avoiding
looking at him; unconsciously, per
haps, tensing herself for his an
swer. She felt his eyes on her
averted face and then he came and
sat beside her.
“Why did you say that?”
Agatha studied the darkened fire
place. “Because,” she said. “I feel
this is all my fault, this—”
He took her hands in one of his,
turned her face toward him.
“Your fault?” he asked. “But
there isn’t any blame. Who can
predict where his emotions will
lead him? You couldn’t have avoid
ed this any more than I.”
It was what she had wanted to
hear but Agatha still studied his
face anxiously.
“But you, Hugh. You seem so
dissatisfied, so restless. I’ve made
Enid unhappy, but now you seem
unhappy, too.”
Hugh’s eyes were guarded.
“You’ve made Enid unhappy? Do
you mean she knows?”
“No." Agatha almost smiled at
Hughs concern. “But don’t you
see, it's only a matter of time. It
must be."
Hugh was relieved. He could
even josh her now.
"Jealous?”
In spite of herself Agatha turned
on him with something like anger
in hei- voice.
“Don’t you see it isn’t as sim
ple as that?” she asked in exasper
ation. Then she clasped her hand i
to her lips. j
"I’m sorry I said that,” she told
him.
But Hugh arose and strode back
to the window, stared out into the
darkness.
“You’re right, though. It isn’t
as simple as that. It isn’t simple
at all.”
He was quiet for a moment, his
voice still quiet when he turned
again to her.
"Agatha,” he said, and her heart
leapt maddeningly at the caress in
his tone. “Life has so few beauti
ful things to offer and it takes them
away so soon. Can’t we take the
beauty now? Things will work out
all right; they must.”
She didn’t quit.p understand his
words; vaguely she knew Hugh was
still postponing the decision. But
when he came to .her and she felt
*he warm press of his lips on hers
is words seemed suddenly, ridicu
lously unimportant.
A week latei’ Enid was in Win
nipeg. It had been suggested to
her by her paper that while she was
to far west she might as well take
a holiday and go farther still to
’isit. Banff and Lake Louise. She
was to write up the resorts* the
cenery, the people, after her as-
ignment, at the festival had been
ompleted.
Enid knew that it was chiefly be
cause of her love of drama that the
Winnipeg commission had been
given her. Ruthenians, Swedes,
Czechs and Slavs in their annual
festival of folk songs and plays
would interest her in a way other
writers on her paner would not understand. If the series of articles j
proved a success the executive
editor of the paper had promised
her a substantial increase beginning
with September. But this was only
May. After all, September was a
long way off,
Enid gave a final brush to her
bronzy hair as she took a last peep
into the mirror of her small bed
room at the hotel and prepared to
descend to dinner that last night of
the festival. She was wearing filmy
black tonight and a near-pearl
necklace. There would be plenty of
time to change afterward into her
traveling dothes, for the station
was a stone’s throw from the hotel
and she already had her transpor
tation.
If only the increase really ma
terialized and her new salary added
to Hugh’s would make it possible
for them to marry at last! She had
given up, with a sigh, the thought
that they could have a real home
at present; she would have to go
on working and help out, just as so
many other girls had to do nowa
days. It wasn’t the ideal home life—
and yet those young women who
could afford to stay at home and
refrain from work seemed rather
bored about it all very soon.
And there were signs that Hugh
was even less ambitions about work
than he used to be. The pleasure
their new life in association with
Agatha had brought him seemed
quite enough to make him happy.
Enid thought of this with a little
frown. Perhaps it needed the im
petus of a ‘home of his own to make
him work.
It had not been possible for Hugh
to take his holiday at this time of
year, so here she was in the big
hotel dining room with its familiar
murals o£ early Canadian scenes,
feeling—and looking, she thought—
very much like a young widow.
She was half way through her
dinner when she was paged by a
worn and sophisticated bell boy,
who handed her a telegram. Ex
pecting nothing more than a mes
sage from Hugh or Agatha, or per
haps, more likely still, from her
paper, she opened it and read:
“Your play is, accepted, I want to
produce it in five weeks. Can you
come to New York immediately?
Some changes are necessary and
contract to sign. Wire when you
can arrive. JOHN HARKNESS.”
There followed the. address of a
well-known New York producer’s
office.
The telegram had been forward
ed from Montreal by her newspa
per, so there was no time to be lost.
By a sudden about-face she could
turn east tonight instead of west,
reach Montreal on Friday afternoon
and be in New York the next morn
ing. The name of John Harkness,
New York producer, whose produc
tions were noteworthy successes,
spelt magic. What luck—what un
believable luck—to think he would
produce “The Duke of Padua!”
Evidently he thought it good hot-
weather fare.
Telling her waiter that she would
return to finish her dinner if she
had time, of, if not, to pay hep bill,
Enid rushed to the lobiby to find
out the time of departure of the
next Montreal train and to send a
night letter to Mr. Harkness:
“Delighted you want my play.
Am in Winnipeg but leave tonight
for Montreal. Will call at your of
fice Saturday morning 10 o’clock.
“ENID WALTERS”
She had already written to Hugh
and Agatha that she would be in
the west for another week and that
it would be almost two weeks be
fore she would see them again in
Montreal. Should she send Hugh a
night letter? In the thrill over the
acceptance of her play Enid felt like
also broadcasting the news to all
her friends on the paper, but in
the end her acquired sense of thrift
prevailed. She did not even tele
graph Hugh.
It would be great fun to surprise
Agatha and Hugh with the news.
After all, 80 cents for a night letter
was practically a dollar, and she
knew she must save all her .money
for the extra trip to New York.
After she got there, there might be
some hope of advance royalties on
the play.
Her train did not leave till 9:30.
so that, after all, she had plenty of
time for the strawberry shortcake
and coffee that her waiter pressed
upon her, They might have been
nectar and ambrosia for all she
knew. Her red-letter day had come
at last.
It was wonderful! It was true.
, . , But there was one fly in the
ointment, one thought that nearly
brought tears to her eyes.
Hugh was not there to share he?
happiness with her.
(Continued Next Week)
Next Week: Enid’s regret that
Hugh is not with her turns to won
der when she arrives in Montreal
Dunc^n’McNaushtpn
Spring flowers formed the floral
background at. the home of Mr. and
Mrs. Lome McNaughton, Cromarty,
when their dahghter, Verna Mae,
of Toronto, became the bride of
John George Duncan, of Toronto,
son of M'r. and Mrs. John M. Dun
can, Toronto. Rev. W. A- Mac-
Williams, of Cromarty, officiated
and Miss Doris Kercher, of Hensail,
played the wedding music.
Given in marriage by her fath
er, the bride wore a white satin
gown, floor-length, fashioned on
princess lines, with a long veil of
embroidered net arranged from a
halo or orange blossoms. Her bridal
bouquet was pink roses and cream
carnations, Miss Jean Godfrey, of
Toronto, as maid of honor, was gowned in a floor-length grey blue j
sheer and carried white carnations |
Ho Kjiq'ws
Jiggs: “Many a man has a talent
for conversation which he has had
no opportunity of turning .to ac
count.”
Jinks; “Um—er—yes; I am mar
ried myself? ’
and blue sweet peas. Miss Helen
McNaughton was her sister’s brides-
made, wearing a floor-length gown
of fuscliia crepe. Her flowers were
pink carnation and blue sweet peas.
Stanley Duncan, of Toronto, and
Clarence McNaughton, brother ■ of
the bride, assisted the groom. The
wedding dinner was served to 35
guests. Mrs, Robert Cole, of Hen
sail, 86 years of age, was present
ed with the bride’s bouquet.
For their wedding trip to De
troit, the bride donned a black en
semble. They will reside in Toron
to.TRY A CLASSIFIED! - - IT PAYS!
PORTANT GOVERNMENT NOTICE
Respecting Price Control
The following is a convenient summary of Board Order No. 711—published for
the guidance and protection of Canadian consumers. It does not give the full
legal text. For full details of the law reference should be made to the OrcLer.
Summary of
r- - - - - - GOODS AND SERVICES REMAINING SUBJECT TO MAXIMUM PRICE REGULATIONS
I As set forth in Wartime Prices & Trade Board Order No. 711—effective April 2, 1947
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FOODS
• All flours, flour mixes and
meals.
• Yeast.
• Bread, bread rolls, and bake
ry products.
• Biscuits, except those com
pletely covered with choc
olate.
• Processed cereals, cooked or
uncooked, including break
fast cereals, macaroni, ver
micelli, spaghetti, noodles
and other alimentary paste
products.
• Rice, excepting wild rice.
• Pot and pearl barley.
• Shelled corn, but pot in
cluding popping com.
• Dried peas, soya beans, dried
beans except lima beans and
red kidney beans.
• Starch.
• Sugar, sugar cane syrups,
corn syrups, grape sugar,
glucose.
® Edible molasses.
• Honey.
• Tea, coffee, coffee concent
rates.
® Malt, malt extract, malt
syrup.
o Black pepper and white pep
per, and substitutes contain
ing black or white pepper.
• Butter.
• Casein.
• Cheddar cheese, processed
cheese and cream cheese.
• Concentrated milk products
of all kinds.
® Ice cream.
• Salad and cooking oils. §
® Salt.
® Fresh apples — 1946 crop.
• Raisins, currants, prunes,
dried dates, dehydrated ap
ples.
• Tomatoes, tomato sauce,
tomato paste, tomato pulp,
tomato puree, tomato cat
sup, chili sauce, when in
hermetically sealed cans or
glass.
• Canned pork and beans,
canned spaghetti and canned
soups.
• Canned com, canned peas,
canned beans excluding the
lima and red kidney varie
ties.
• Canned apricots, canned
peaches, canned pears, can
ned cherries, canned plums.
° Fruits and vegetables in the
two preceding items when
frozen and sold in consumer
size packages.
• Jams, jellies, marmalades.
c Meat and meat products,
not including game, pet
foods, and certain varieties
of cooked and canned meats.
• Sausage casings, animal and
artificial.
• Live, dressed and canned
poultry (but not including
turkeys, geese or ducks, live,
dressed or processed; poultry
spreads, poultry stews and
poultry in pastry or pie
crust).
• Canned salmon, canned sea
trout, canned pilchards of
the 1946 or earlier packs.
• Edible animal and vegetable
fats including lards and
shortenings.
CLOTHING
• Men’s, youths’ and boys’
coats, jackets and wind
breakers made wholly or
chiefly of leather.
• Men’s, youths’ and boys’
suits or pants made wholly
or chiefly of cotton or rayon.
• Men’s, youths’ and’ boys’
furnishings as follows: —
blouses; collars; pyjamas;
nightshirts; underwear, other
than that made wholly of
wool; dressing gowns, other
than those made wholly of
all-wool fabric; shirts, in
cluding sport shirts other
than those made wholly of
all-wool or all-rayon fabric.
® Women’s, misses’, girls’,
children’s and infants’ gar
ments of all kinds (but not
including— (a) garments
made wholly of all-wool
fabric, (b) raincoats, or (c)
jackets and windbreakers,
except when made wholly or
chiefly of leather).
• Women’s, misses’, girls’ and
children’s accessories as fol
lows: dickies, bibs, halters,
neckwear, collars, cuffs and
aprons.
® Knitted wear for either sex
as follows: undergarments,
other than those made wholly
of wool; circular knit hosiery
of cotton or rayon.
• Work clothing, including
aprons for either sex, when
made wholly or chiefly of
cotton or leather.
• Uniforms for either sex.
• Gloves, gauntlets and mitts
for either sex when made
wholly or chiefly of cotton
or leather, except those de
signed as specialized sports
equipment or for specialized
industrial uses.
® Brassieres; foundation gar
ments, but not including
surgical corsets.
® Diapers and diaper supports.
HOUSEHOLD AND OTHER
TEXTILES
• Textile products as follows,
when made wholly or chiefly
of cotton or rayon: bath
mats, bedspreads, blankets
except horseblankets, cur
tains, dish cloths, dish towels,
drapes, face cloths, luncheon
sets, napkins, pillow cases,
sheets, silence cloths, table
cloths, throw-overs, toilet
seat covers, towels, wash
cloths, window blinds, win
dow shades.
® Floor rugs and mats chiefly
of cotton. <?
DOMESTIC FUELS
• Coal, coke and briquettes;
until April 16th, 1947.
HOUSEHOLD EQUIPMENT AND
SUPPLIES
® Furnaces, fire-place heaters
and other heating equipment
except portable electric heat
ers.
• Jacket heaters and other
water heating equipment,
• Soap and soap compounds.
MOTOR VEHICLE ACCESSORIES
• Pneumatic tires and tubes
when sold for the purpose of
or as original equipment On
agricultural machinery.
CONSTRUCTION PRODUCTS
• Lumber of all kinds.
® Millwork such as doors,
sashes, windows, stairs and
gates.
® Plywood and veneers.
• Pre-cut lumber products de
signed for use in residential
or farm buildings, but not
including fully pre-fabricated
buildings.
® Gypsum board and gypsum
lath.
• Wallboards and building
boards.
• Cast iron soil pipe and
fittings.
• Nails.
• Sewing, embroidry and cro
chet yarns, threads and floss
of any of the yams and
threads referred to above.
• Bobbinet, dress and curtain
nets and netting.
• Elastic yams, fabrics and
webbing.
® Hides and skins from animals
of a type ordinarily pro
cessed for use as a leather.
• Leathers and synthetic leath
ers of all kinds.
• Sheepskin shearlings, tanned,
but not further processed
than combed or sheared and
coloured on the flesh side.
AGRICULTURAL MACHINERY,
IMPLEMENTS, EQUIPMENT AND
SUPPLIES
® Practically all items of farm
machinery, including plant
ing, seeding and fertilizing
equipment, plows, tillage
implements and cultivators,
haying machinery, harvest
ing machinery, tractors, wag
ons, dairy machines and
equipment, sprayers and
dusters.
® Articles of barn and barn
yard equipment.
® Incubators, brooders, poul
try feeding and watering
equipment.
• Stationary gas engines.
• Harness and harness hard
ware.
» Barbed wire and other fenc
ing wire and fences.
• Binder twine.
» Wheelbarrows.
» Feeds and feed products of
all kinds except horse meat,
pet foods, straw, clam shell
and poultry grit.
« Fertilizers of all kinds, but
not including humus, muck,
manure, sphagnum moss or
peat moss.
« Gopher poisons.
• Seed beans and seed peas.
• Grains as follows:— wheat;
barley; oats; flaxseed; buck
wheat; rapeseed; sunflower
seed; grain screenings.
RAW AND PROCESSED
MATERIALS
• Basic iron and steel products
and alloys, including pig
iron, cast iron, scrap, ingots,
■bars, plate, rods and wire.
® Primary, secondary and fab
ricated mill forms of the
following non-ferrous metals
and their alloys: copper,
lead, tin and zinc.
• All fats and oils, including
Vitamin A oils, of animal,
vegetable or marine origin
but not including refined me
dicinal cod liver oil.
• Glue stock, glues and adhes
ives of animal origin.
• Starches.
• Fibres, raw or processed, as
follows: cotton, hemp, jute,
sisal, all synthetic fibres and
filaments excepting glass.
• Yarns and threads of, or con
taining any of the fibres list
ed above.
• Fabrics, over 12 inches in
width whether knitted or
woven of, or containing any
of the yarns and threads re
ferred to above.
PULP AND PAPER
» Wastepaper.
• Wood pulp, except
(a) dissolving grades,
(b) “alpha” grades of bleach
ed sulphate,
(c) “Duracel”,
(d) groundwood and un
bleached sulphite grades
sold for the manufacture
of newsprint or hanging
paper.
® Newsprint paper except when
sold by manufacturers there
of.
« Paper board used in the
manufacture of solid fibre or
corrugated shipping cases.
® Boxboard grades of paper
board, except for wrapping
newsprint paper or making
newsprint cores.
CONTAINERS AND PACKAGING
MATERIALS
® Containers, packaging and
wrapping devices of a type
used for the sale or shipment
of products, when made from
a textile fabric and including
bags, cases, envelopes, fold
ers and sacks.
SERVICES
• Transportation of goods and
services associated therewith.
® Warehousing; dry storage of
general merchandise and
household goods other than
wearing apparel; cold storage,
including rental of lockers
and ancillary services such
as processing charges in cold
storage plants.
» Supplying of meals or refresh
ments for consumption on
the seller’s premises, the
supplying of beverages (ex
cept alcoholic beverages) by
purveyors of meals or re
freshments; the supplying of
meals with sleeping accom
modation for a combined
charge, but not including the
supplying of meals, refresh
ments or sleeping accom
modation by an employer to
his employees, directly or
through a servant or agent.
• The packing or packaging or
any other manufacturing pro
cess in respect of any goods
subject to maximum prices,
when performed on a custom
or commission basis.
USED GOODS
• Used bags and used bagging
and baling materiah
Any material shown above processed for incorporation into, Or any fabricated component part of any of the above
goods is subject to maximum prices.
Also any set which contains an article referred to above is subject to maximum prices even though the remainder
of the set consists of articles not referred to.
DONALD GORDON, Chairman.
Wartime Prices and Trade Board.