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at 2
6 — THE HURON EXPOSITOR, SEPTEMBER 7, 197
Young actor a sta e veter
Tom McCamus looks disarmingly young
and innocent.
The London-based actor, who played the
sad-eyed schoolboy David Easton in
Gwendoline and the cornball govenment
inspector in, His Own Boss at the Blyth
Festival, actually has some impressive
acting experience behind him:
Mr. McCarrius, at 23 years of age, wilk,
start his third season with the Theatre
London Young Company this fall, l-le' has
also, completed three years of a drama
course at the University of Windsor,
deciding • to,sacrifice the final year and a
degree for the chance to gain experience as
a working actor.
In the past year, his first as a fulltime
professional actor, McCamus worked eight
out of 12 months, a record which might be
envied by many veteran Canadian per-
-fgrners
His ambition for the future includes
working in as many different places as he
can, in as many different sytles of theatre.
The actor has already experienced a
variety of theatre styles from Shakespeare
to childrens' theatre with its more
exaggerated characters to a difficult role as
one of four convicts sharing a cell in John:
Herbertes biting Canadian play, Fortune
and Men's Eyes.
Favourite '
Next season, as a member of the Young
Company,, Mr. McCamus will act in the
childrens' favorite, Paddington The Bear
and then make the transition to supporting
roles in Theatre London productions of
Kiss Mc Katcand the Canadian play. John
A, Himself.
McCamus started his acting career in
,comnaunity-theatre productions while still
in high school.
Four years- ago, Heinar Piller, the
sometimes controversial artistic director of
Theatre London, selected McCamus to be
one of the members of the Young
Company.
The company is a group of younger
actors who present the theatre's childrens'
productions, handle supporting roles in
main stage productions while studying
acting techniques as well.
In his first stint with the company,
McCamus' fellow actors included Jim
Schaeffer and Rick Previtt, actors who have
worked at the Blyth Festival in the past.
After a year with the company,
McCamus decided to take a Bachelor of
Fine Arts in drama at the UniVersity of
Windsor.
The city, McCamus discovered, is .still
"States-oriented" and Windsorites tend to
depend on Detroit for professional Stage
productions.
Since theatre is relatively new in the city,
the drama students at the university
presented a number of childrens' pro-
ductions as well as cabaret shows in local
nightclubs.
Last year; McCamus, back with the
Young Company,. worked in •two 'childrens'
productions and discovered "You have to
be very honest, since children are very
perceptive."
Yen Out
Unlike their adult counterparts, a
childrens' audience will yell out 'their
ctiticism if something about a performance
doesn't ring true. "
One of the special benefit$ of member-
ship in the Theatre• London company for
McCamus has been the experience of
working under William Hutt, a veteran
Stratford Festival performer and now
artistic director at Theatre Lodnon.
Mr. McCamus said, "Bill really believes'
in young actors and what they have to
offer."
Mr. Hutt worked with the company to
produce the Shakespearean comedy
Twelfth Night, presented at London's
Mini Theatre last season.
Mr. McCamus said working with the
veteran performer "taught me a lot about
Shakespeare,,- particularly how to work
with language,"
The Blyth actor said when playing
Modern characters who speak with con-,
temporary language, he tended to rely on
instinct in deciding how to talk.
However, the Shakespearean language
has to be broken down by an actor and now
Mccanius is finding he is applying this
same technique to the dialogueaof all-the —
characters he plays on stage.
Just Watching
Alsb, McCamus picked up pointers just
watching Hutt as he acted in Twelfth Night
since the younger actor said Hutt's "sense
of comic timing is amazing."
Tom McCamus is looking forward to
working with Hutt again this year - "a man
who has a lot of enerev and could ect into
some really exciting things."
This season, the Young Company will be
moving into a new studio theatre within the
historic Grand Theatre in London, •
The theatre has been dark for the past
year while renovations were being made to
the Grand to provide more adequate
backstage facilities, the studio theatre and
better seating arrangements. -
Mr. McCamus said he expects William
Hutt has decided on a more traditional
• theatre bill for the coming season in, order
to bUild up the theatre audience again.
Among the plays being presented are
Kiss Me Kate, a musical; John A Himself,
a play about our first prime minister by
Canadian writer Timothy Findley and
Otherwise Engaged, a smash British hit.
Toni McCamus decided to audition for
the Blyth Festival company laSt spring
after hearing good things about the theatre
Ideal Fancy
from other actors and also because the
local theatre works with' "brand new
scripts" an exciting challenge for an
actor.
The Pace
One of the first things the actor noticed
in his move from London to Blyth was "the
pace - it's more relaxing (here)."
AlthOugb Mr. McCamus hasn't mapped
out any definite steps for his career, he
hopes to try the Toronto 'klage " after his"
next season with Theatre London.
• While he would like to try TV and film
work, •it also "Wouldn't kill me if I didn't."
In the meantime, "I just want to work,"
he said.
Working, or at least finding work, hasn't
proved any problem for McCamus yet. ,
Although he looks disarmingly young,
McCamus is already very wise in the ways
of the stage.
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Tom McCamus
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