HomeMy WebLinkAboutThe Citizen, 2015-11-05, Page 10PAGE 10. THE CITIZEN, THURSDAY, NOVEMBER 5, 2015.
Blyth architect John Rutledge is in
the midst of working on two high-
profile heritage projects – one in
London and another on the Six
Nations Reserve near Caledonia.
Hard at work on both at the same
time, Rutledge says the similarities
between the two projects are almost
scary, but they are each of huge
cultural significance to two different
groups.
The first project, Rutledge says, is
the Mississaugas of the New Credit
Historical Council House near
Caledonia, while the second is the
Fugitive Slave Chapel in London.
Both are relatively small buildings
and the goal with both is the same –
to restore the building to its former
glory and to expand it to include a
museum celebrating the culture of
its people.
The Council House, according to a
history book produced as part of its
revitalization, was first opened in
1882 – in an event at which Sir. John
A. Macdonald, the Prime Minister at
the time, was expected to speak.
According to the Brantford
Evening Telegram, over 2,000
people attended the event.
The centre was called a place for
“discussions and decisions” and
served a number of purposes over
the years. It hosted community
celebrations for the return of New
Credit’s soldiers from World War I,
it was a meeting place for the
International Order of Foresters, as
the practice hall for the New Credit
Brass Band and as a concert hall.
From 1933 to 1938, the hall
served as the Reserve’s school after
the existing school had burned down
and in the 1960s to the early 1970s,
the hall served as a small factory in
the automotive industry. The
Waterloo company Van Dressler
produced burlap contours for the
bottom of car seats in the house.
During this period, eight women
reported to work at the house every
day.
The building has been an
important part of the community’s
culture for many years, Rutledge
says, so it’s an honour to be involved
in bringing it back to vibrant life.
The hope, he said, is that the
centre will return to its glory days as
a community centre where events
can be held, but also that a small
expansion can host a museum to
help house historical artifacts and
displays pertaining to the
community and its way of life.
Rutledge says he was contacted by
Laura Dent of Stratford, the project
Rutledge brought on for Slave Chapel, Council House
Making it great again
The Fugitive Slave Chapel in London, seen here, has fallen into disrepair in recent years, and
Blyth architect John Rutledge has been brought in to renovate the existing building and to
design an addition that will house a small museum. (Photo submitted)
By Shawn Loughlin
The Citizen
Continued on page 11
Thank You
The 4-H Members of the Brussels Show and Sale
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