HomeMy WebLinkAboutThe Citizen, 2015-07-02, Page 21PAGE 22. THE CITIZEN, THURSDAY, JULY 2, 2015.
Museum seeks exhibit photos
Fox, Thompson impress in Festival opener ‘Seeds’
With Seeds, the opening show of
the Blyth Festival’s 41st season, the
evolution of farming is staged in a
way that one also can see the
evolution of the Festival before their
very eyes.
In interviews ahead of the
production of Seeds, Artistic
Director Gil Garratt said the play
makes an important statement about
farming.
Garratt would often use two
farmers on opposite ends of the
technological universe – saying that
farming is no longer one man
wearing coveralls and sitting on his
porch reminiscing about the good
old days, but rather a world
dominated by technology in the form
of world-wide pricing, tractors with
GPS and various other cutting edge
inventions that have propelled
farming forward.
It is in that same vein that Seeds
has propelled the Blyth Festival
forward into a world of technology,
much of it new to the Memorial Hall
stage.
When the audience is first seated
for Seeds, Steve Lucas’ set appears
very simple – basically a large blank
wall behind the actors. Much of the
story is told through an extensive
projection show by Beth Kates of
Playground Studios Inc., the show’s
lighting and projections designer.
On those walls, settings are
established, characters are
introduced and crucial themes to the
story of Saskatchewan farmer Percy
Schmeiser and biotechnology giant
Monsanto are emphasized.
This technology, however, isn’t
employed simply to show off, or to
create a “techy” show simply to be
techy, but it serves an integral
purpose in a long, confusing
narrative with many, many
characters.
That’s not to sound negative – it’s
just the nature of the story that
playwright Annabel Soutar tells. It
spans years and includes dozens, if
not, hundreds of interviews. There
are many, often conflicting,
viewpoints presented by many
interchangeable characters, who are
portrayed by actors of a different
sex, a different age or a different
race, quite often. The story of Seeds
just isn’t an easy one to tell and it’s
easy to get lost in the mix of
characters along the periphery.
Names and titles of these
characters, projected onto the set,
help the audience to keep everyone
straight through a parade of
characters that can get confusing at
times.
Of course, there are large,
philosophical questions in Seeds
pertaining to GMOs (genetically-
modified organisms) that include a
lot of scientific background. At its
core, however, is a simple question
of “did he?” or “didn’t he?”
Did Schmeiser knowingly plant
Monsanto canola seeds in his field
without signing an agreement with
the company? This question is the
straight line throughout the narrative
that branches off into questions
about legality, credibility, the ability
to patent a life form and the food
being fed to the world and how much
consumers should be told about it.
The Festival production is
anchored by two of Canadian
theatre’s heaviest hitters: David Fox
as Schmeiser and Severn Thompson
as the playwright investigating the
case.
The cast is rounded out by Keith
Barker, Rachel Cairns, Jason
Chesworth, Jeff Irving and Tracy
Ferencz, all of whom play a
multitude of characters.
The small cast, but large roster of
characters keeps the audience on its
toes. Ferencz, for example, will be in
one scene as Schmeiser’s wife
Louise, in another argue the virtues
of Monsanto as Trish Jordan and
then herald Schmeiser’s heroism in
another as Sister Catherine.
All cast members are good in the
numerous roles with which they’re
charged, creating new personas and
images, sometimes, every few
minutes.
Director Kim Collier, artistic
The Huron County Museum needs
your help!
To celebrate Huron County’s
150th anniversary in 2016, the
museum will be presenting an
exhibit called “Home in Huron”. The
exhibit will feature past and present
photos of the county, including
landscapes, architecture, and
activities. Photos from the archival
collection will be featured.
The museum needs help gathering
photos of present day Huron County
from residents. Community
members are encouraged to submit
recent, high resolution photos with
minimal editing that were taken in
the county. Everything from sunsets
to street views, from sheep to ships,
and all four seasons are welcomed to
be submitted.
Historic photographs of homes,
main streets, farms, and activities
will be posted to the Museum’s
Flickr page at www.flickr.com/
photos/huroncountymuseum to use
as inspiration.
Photo submission guidelines are
minimal editing, the photo must be
taken in Huron County, the photo
must be the work of the submitter
and only high resolution
photographs will be accepted.
Submitted photos must be
received by March 1, 2016 to be
considered for inclusion in the
exhibit. The exhibit is scheduled to
open April 30, 2016.
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Graduation
Danielle graduated from Georgian
College in Barrie on June 18th, 2015,
receiving an Advanced Diploma in
Interior Design, with Honours. Danielle
is a graduate of Brussels Public School
and F. E. Madill Secondary School. She
is the daughter of Nanci and Greg
Ducharme of Brussels. Danielle is
employed at Watson’s Home Hardware
and Furniture in Goderich.
Love Mom, Dad, Evan,
Grandma and Grandpa Bennett,
Grandma and Grandpa Ducharme.
Graduation
TIM WAECHTER
on June 25, Tim completed
his Agriculture SHSM and
graduated as an Ontario
Scholar from St. Anne’s
Catholic Secondary School
in Clinton. He plans to
pursue an apprenticeship
in small engines - power
sports. He is currently
employed at Huron Feeding
Systems.
Congratulations Tim
Love from
all your family and friends
Brodhagen Chamber of Commerce
Chicken Barbecue
Saturday, July 11
4:30 pm - 7:00 pm
Adults $15.00 Children $7.50
Limited number of tickets at door
For tickets call
519-348-0940, 519-345-2523,
519-345-0143, 519-345-2248
Brodhagen Community Centre
Check out
www.brodhagencommunitycentre.com
A lengthy trial
Saskatchewan farmer Percy Schmeiser, portrayed here by David Fox, left, is the subject of
Seeds, written by Annabel Soutar and directed by Kim Collier. The show opened the 41st
season of the Blyth Festival on Friday. The saga begins in Schmeiser’s field in 1997 and then
travels all over the world in the form of global awareness of genetically modified organisms
(GMOs), as a result of the trial and Schmeiser’s resistance to the forces of Monsanto. (Terry
Manzo photo)
By Shawn Loughlin
The Citizen
Continued on page 23