HomeMy WebLinkAboutThe Citizen, 2016-07-21, Page 20PAGE 20. THE CITIZEN, THURSDAY, JULY 21, 2016.
McGavins celebrate 80 years with their community
The population of Walton boomed
to unheard of levels on Friday as
McGavin Farm Equipment
celebrated its 80th anniversary.
Approximately 2,500 people
attended the celebration which
included a midway, a ferris wheel, a
petting zoo and numerous other
attractions.
Brian McGavin, one half of the
McGavin brothers duo that runs the
family company, said the event went
better than he and his brother Jeff
could have hoped.
"We couldn't be any happier," he
said. "I said to one of the visitors
that it was both exhilarating and
humbling. It's amazing to have that
many local people respect your hard
work and dedication and come out to
celebrate with the family."
The company was started by
Gordon McGavin and then was
taken over by Jeff and Brian's father
Neil, who recently handed over the
reins of the company to his sons.
McGavin, during a speech at the
event, said the celebration was as
much for the achievements of the
business as it was for the enjoyment
of the staff, community and
customers that have made the
business a success.
"I know that marking every five
years might seem silly, but it's more
of a get-together," he said. "It's a
way to say we appreciate the
customers. It's a good day to rub
shoulders with neighbours and
clients you haven't seen in awhile."
McGavin said that, while he and
his brother are often referred to as
the faces of the company, the real
success comes from the staff and he
hopes that they realized the day was
for them as well.
"The staff is really the heart of the
place," he said. "Everyone does their
job and it pays dividends. People
remember how they are treated and,
while everything is getting bigger
and bigger, it's nice to see that
smaller entities can survive through
remembering customer service."
Thompson doc. now
in post -production
Continued from page 19
"When dad came back, he was
excited about theatre and saw that it
was actually an active dialogue with
society. The idea is you have a
dialogue with your community and
make them a part of a discussion."
She said her father discovered
how much he loved feeling the
energy of a play, not just that of the
actors but that of the audience as
well.
"He wanted plays to be real, and
relevant," she said. "He wanted the
actors he worked with to be affected
by the audience, to listen to
feedback, to look at what works and
learn what doesn't."
She said he broke the fourth wall
as well as every other wall in theatre
and didn't want plays to be about
pretending, but to be exploring
creative impulses that created the
stories they are telling.
"That's how it all started," she
said. "That's why you can't hide
from dad's shows. You feel them."
After returning to Canada, Paul
worked with Theatre Passe Muraille
in Toronto with founder Jim
Garrard.
"They did all these cool,
alternative versions of plays,"
Thompson said.
However, when Garrard left the
theatre in 1970, Paul took over as
Artistic Director.
"He was a stage manager at the
time and he was left with the keys to
the theatre," Thompson said. "He
saw the opportunity to do something
and decided to follow some of the
ideas he had learned about in
France. He wanted to make real
plays and tell Canadian stories."
Canadian theatre received a big
boost when Paul took over,
according to Thompson, as he
started giving people seed grants to
start ideas. Those grants would
produce some prolific plays like
Billy Bishop Goes to War by John
MacLachlan Gray and Eric
Peterson.
Thompson was also interested in
the 1970s because of how formative
a time it was for Canada.
"It was a time of nationalism," she
said. "People were trying to figure
out what it meant to be Canadian.
We weren't American and we
weren't British. The plays followed
the spirit of that time and it was
exciting."
While not dealt with directly,
Blyth plays a part in the
documentary. James Roy, one of the
founders of the Blyth Festival, saw
The Farm Show and 1837: The
Farmers' Revolt, which Thompson
was involved with, and got excited
about what he saw. Those plays
would show what local theatre was
capable of and Roy, who was
connected back to the area when he
sought seed money from Theatre
Passe Muraille and Paul, along with
others, would create the Blyth
Festival as a result of that revelation.
"It wasn't just Blyth, though,"
Thompson said. "At that time there
were three companies producing
Canadian work, now there are over
300. That wasn't just dad or the
theatre, but that impulse that led to
the present was definitely there."
The film will feature four of Paul's
collective plays: The Doukhobors
(1970), The Farm Show (1972), 1
Love You Baby Blue (1976) and
Maggie & Pierre (1980).
The documentary is currently in
post -production and Thompson is
now looking forward to presenting it
at film festivals and companies that
can get the word out about it.
This is the second film Thompson
has produced with its roots tied to
her father's work. The first was
called The Donnellys, based on his
work on stage with the family's
story.
"It's a 21 -minute piece that looks
at understanding why people are so
attracted to the Donnelly story
which was evident with the great
success of The Outdoor Donnellys,"
she said. "Each time my father does
that story, it's different and his
upcoming Donnelly play will be his
sixth time."
She said the Donnellys shows
Canadians' complicated relationship
with historical characters where they
don't want to make heroes of people,
but the tale is incredible and
captivating.
"The Donnellys is such an
amazing, tragic story, which is why
we keep going back to it," she said.
"The film focused on Bob Donnelly
who was brought to life by [current
Blyth Festival Artistic Director] Gil
Garratt in the play and I had him
narrate the film."
Thompson, a graduate of Blyth
Festival's Young Company, said that
her parents' involvement with the
Festival and theatre is apparent in
both her and her sister's work.
The business and the McGavin
family received several awards that
day to mark the work they had done,
one of which was the President's
Club award from New Holland. The
award, which is given to less than 10
per cent of the 800 New Holland
dealerships across the country,
marks what makes the business a
success according to McGavin.
"It's a combination award," he
said. "There are a bunch of areas
they mark us on like sales, marketing
and service. It's kind of neat we
were able to get that."
McGavin said the day was meant
as a family celebration where
customers and community members
could bring out everyone and have
fun and mark the occasion. He said
he couldn't say enough about the
people who came.
"We really want to thank everyone
for coming out and supporting us,"
he said. "It means an awful lot to
Jeff, dad and myself and all the
McGavins and the staff.
"We are looking forward to seeing
people at the 85th in five years,"
McGavin said with a laugh.
Recognized
The McGavin family has a lot to be proud of after marking their namesake company's 80th
anniversary on Friday. As part of the day, several awards were presented including one from
the Canada East Equipment Dealer Association (CEEDA) that was presented to the family.
From left: Abby, Brandon, Shelley, Brian, Shannon, Jeff, Marie and Neil McGavin being
presented a plaque by Jerry Martyn of CEEDA. Absent are Jacob, Mackenzie, Teegan and
Tyson McGavin. (Denny Scott photo)
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