The Citizen, 2018-08-16, Page 5THE CITIZEN, THURSDAY, AUGUST 16, 2018. PAGE 5.
Other Views
When seeing isn't believing
Asi scan the news in newspapers and
television these days, I can't help
wondering how differently the events
must be viewed by those who continue to
believe that man-made climate change is all a
big hoax.
Even climate scientists say you can't look
at a particular weather occurrence and say it's
caused by a changing climate caused by the
build up of greenhouse gases like carbon
dioxide in the atmosphere. Still, as you look at
the accumulation of severe weather events, it's
hard not to see the evidence that something
dramatic is happening worldwide.
As of early this week there were 600
wildfires burning across British Columbia in
the second consecutive summer of destruction.
Fueled by drought and extreme heat, the
forests are tinder dry, meaning that when a
thunderstorm sweeps through, dozens of new
fires are ignited. Thousands have had to leave
their homes, which are threatened by the
flames.
Farther south, California is enduring its
third record wild fire season in a row with
some fire officials saying they're going to have
to accept that these circumstances are the new
normal. The fires are making some areas of the
populous state unlivable with hundreds of
homes being destroyed.
In Greece earlier this summer 92 people
died when they were caught in wildfires that
burned more than 1,000 buildings.
The Greek fires were part of a record heat
wave that affected most of Europe. Officials in
Denmark attributed 250 deaths to the strain
extreme heat exerts on vulnerable people. The
Danes have had 845 wildfires. Sweden
reported 50 wildfires burning north of the
Arctic Circle.
Germany recorded its hottest April to July
period on record. German farmers, worried
. .
Keith
Roulston
From the
cluttered desk
about financial ruin because of droughts, are
asking their government for aid. Some
European nuclear plants have had to be shut
down because the rivers which provide water
to cool the nuclear reactors are too warm for
use.
Earlier this summer Japan recorded
temperatures over 40° Celsius, the hottest ever.
More than 100 people died from the heat.
Yes but this could be simply one freak
summer, you say. Well, how about the fact the
Canadian Coast Guard has decided it must
train local rescue units in villages along the
fabled Northwest Passage in our Arctic. Sea
ice has melted so much owners of private
pleasure craft are taking up the challenge of
following in the steps of explorers like John
Franklin who perished while trying to find a
path through the impenetrable ice 160 years
ago.
Meanwhile the heat is triggering violent
storms. Last week parts of Toronto were
deluged by 100 millimetres of rainfall in two
hours. That compares to measurements
recorded in the deadly Hurricane Hazel 60
years ago, a standard officials had thought
would be unlikely to be repeated for a long
time but seems to be occurring almost
regularly.
But if you're a true disbeliever in climate
change, all this means nothing. Recently one
of the news channels interviewed a man who
claims he has the figures to prove the earth is
actually getting colder, not warmer. Talk of
man-made climate change is actually a
conspiracy perpetrated by lying climate
scientists, he said. He, like most climate
change skeptics, points to a case a few years
ago where a group of scientists were caught
fudging figures to build a stronger case for
their theories.
Meanwhile some politicians are only too
happy to court the support of voters who
simply don't want to change their way of
living to try to reduce the production of
greenhouse gases. Not only did U.S. President
Donald Trump put a former oil industry
official in charge of the Environmental
Protection Agency, but he has promoted the
burning of more coal to give jobs to coal
miners. Several states are suing the U.S.
federal government over Trump's plan to
reduce therequirement for cars to burn less
fuel for each mile traveled.
Here in Canada, an increasing number
of provincial premiers are joining
forces against the federal
government's plan for a carbon tax designed to
reduce the amount of greenhouse gases
entering the atmosphere. While few premiers
are willing to boldly declare themselves
climate change deniers, they argue carbon
taxes just don't reduce pollution or that
Canada can't afford to be a boy scout when
countries like the U.S. are going in the other
direction.
Strangely, many of the people who deny we
have a problem are people who believe in
taking personal responsibility when they want
people on social assistance to just get their acts
together and find a job. They seem less willing
to take personal responsibility over the need to
make changes that will make the world more
livable for their children and grandchildren.
It's easier to deny there's a problem.
Who are you? Who, who, who are youP
Every year around this time I struggle
with the same dilemma: who am I to
judge the works of other people?
As is tradition in the editorial department at
The Citizen, Shawn reviews the first two main
stage plays of the Blyth Festival's season and I
take care of the second two as they both
premiere over our vacation.
When I first started at The Citizen, it wasn't
a difficult proposition. The plays were good, or
at least good enough that I wouldn't think
twice about recommending them to people.
Over the past few years, however, there have
been some plays I just couldn't tell people to
go see, which resulted in me writing some
less -than -glowing reviews.
Shawn and I have joked, up until he
reviewed Judith: Memories of a Lady Pig
Farmer this year, which he felt needed work, I
always ended up reviewing the more
controversial plays, from a reviewing
standpoint.
The list of plays for which I've written less
favourable reviews, before this year, wasn't
even a list: it was Fury and Ipperwash.
Fury had the makings of a great, local play.
It focused on the Great Storm of 1913 which
claimed 250 lives and a dozen vessels on Lake
Huron. It had a local hook, it was supposed to
have music and it was supposed to be
entertaining. Unfortunately, (and I've had
people tell me I wasn't alone in this), I didn't
find it entertaining and it didn't have much
music.
Ipperwash just wasn't written for me and, as
someone who has been watching (and
enjoying, for the most part) plays at the Blyth
Festival for two decades now, I have to guess
many other people hold the same opinion
because I've had a lot of people tell me they
agree.
The question, whether I have the right to
Denny
Scott
Affili Denny's Den
judge these works or not, weighs on me most
when I'm reviewing a play I find misses the
mark.
This year, for example, I reviewed Wing
Night at the Boot and 1837: The Farmers'
Revolt. The former was fantastic, the latter had
me wondering what gives me the right to say it
wasn't.
As you'll see in the reviews in this issue of
The Citizen, a lot of it falls to decisions made
on the production end of things. The actors in
both plays did a great job. I just found the raw,
classical theatre -going experience of Wing
Night at the Boot to be preferable to the
technology -laden production of 1837: The
Farmers' Revolt.
I won't go any further into the nitty gritty
of the reviews because they are readily
available.
I saw 1837: The Farmers' Revolt and left
with a bad initial reaction to the play. When
that happens, this monster of indecision sits on
my shoulders.
It usually results in me waiting a couple of
days before writing a review because I don't
want my initial reaction to be the one that
shines through. The process is akin to the
sober second thought some government levels
employ.
It's not ideal, to be honest, because that
means that, through what's supposed to be a
vacation break, I've got this weight on my
shoulders. However, I feel that those
responsible for the play deserve to have
me take that look back.
After that, I feel sorry because, prior to the
Blyth Festival's season starting, I get to know
a lot of the folks responsible for these plays as
The Citizen produces a special section for the
season highlighting the actors, playwrights
and directors.
I guess the whole reason I'm penning this is
to say that, as tough as it may be to read a
negative review of a performance, whether it
be by someone involved in the play or
someone considering seeing it, keep in mind
that writing it is no easy task.
I still remember, after my review of
Fury was published, how I apologized to
people for writing it. I didn't recant anything,
but the fact that I had to give such a rough
review of something that was locally -created
(including an old friend, no less) was
something that, if I'm honest, still weighs on
me to this day.
Maybe for those outside of the community,
it would be easy enough to pen a scathing
review of a play and go on with their day,
but the fact that I know everyone involved in
the play and the season, from the general
manager and artistic director down to the
ushers, makes it that much more difficult for
me to be critical.
However, be critical I must. If every review
is glowing, people won't trust what I'm
writing and the space and the opportunities
will be completely wasted.
In the end, those plays I don't enjoy might
be a mixed blessing instead of such a heavy
weight because I'm afforded the opportunity
to prove that I'm not just pumping the tires of
the Blyth Festival, but providing an honest,
unbiased review of what's on stage.
That doesn't, however, make it any easier to
tear someone's work apart.
Shawn
Loughlin
lish Shawn's Sense
News for him, by you
Admittedly during the June provincial
election I thought that people were
stretching credulity when they
compared now -Premier Doug Ford to Donald
Trump. Maybe those people weren't that far
off -base after all.
I say this in the wake of the "creation" of
Ontario News Now, a social media "news
outlet" that joined both Twitter and Facebook
late last month. It uses established PC Party
fonts, colours and style and promises "timely
exclusive content on the PC government's
priorities for the people of Ontario."
In its first few weeks, the account boasted
numerous "reports" hosted by former staffer
Lyndsey Vanstone, who presents herself as a
reporter, which reflect glowingly on the
achievements of Ford and his party.
This came on the same day that the party
limited questions from reporters at Queen's
Park. Ford's office has since confirmed that
taxpayers' dollars are being used to fund the
content on the accounts. In an e-mail to Global
News, Jeff Silverstein, the director of
communications for PC Caucus Services, said,
"we're using technologies available to us to
communicate with the people. Platforms such
as Facebook provide us with the opportunity to
communicate directly with people from all
corners of Ontario."
Even our local MPP Lisa Thompson
retweeted the video at a time when she's
playing her own shell game with the media.
After ducking reporters for over a week,
Thompson has been confusing and frustrating
when she does pop up to "answer" questions
from Queen's Park reporters.
Ford's tumultuous relationship with
reporters began before he was even elected,
when he announced he would not have a media
bus on his campaign. In a way, those of us who
care about these kinds of things shouldn't be
surprised this is happening.
However, everyone should be concerned
with how their tax dollars are being spent. If
Ford and his team continue this charade and
present Ontario News Now as a legitimate
source for accurate information, he might as
well start yelling about fake news — maybe
he'll even build a great wall around Toronto.
In a way, Ford has gone even further than
Trump in creating his own "news source" but
that's only because Trump hasn't had to with
the existence of Fox News, Breitbart and a
host of other ultra conservative media outlets.
But the big difference is that taxpayers'
dollars are being used to fund this act, which
essentially equates to state-sponsored media
(that also goes for the money we're pouring
into the party's staffer goons who now drown
out reporters with uproarious applause to
"end" Ford press conferences — an utterly
childish strategy if there ever was one).
You know about state-sponsored media,
right? They have it in countries that really
encourage discourse and critical thought like
North Korea, Saudi Arabia and Russia.
This is a disgusting step in the wrong
direction, but then again, if you disagree, you
could always check Ontario News Now. That's
why it exists in the first place.
If you're like me, however, and you disagree
with what's happening, keep doing what
you're doing. Support independent journalism
and help reporters continue to do their jobs.
Throughout history it's been reporters who
have uncovered the greatest scandals, whether
it was Watergate or the Pentagon Papers or
widespread surveillance in the U.S. I wouldn't
count on Vanstone for the next big scoop,
despite the fact that we're paying her salary.